Saoirse Ronan
dans le rôle de Daisy
English,Filipino,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The action film Violet & Daisy, starring Saoirse Ronan, Alexis Bledel, James Gandolfini, etc., directed by an unlisted director, was released on June 6, 2013 in États-Unis. It tells the story of Two teenage assassins accept what they think will be a quick-and-easy job, until an unexpected target throws them off their plan. This is an Action, Comédie, Crime film with a runtime of 88 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.0/10 from 13,734 viewers.
Saoirse Ronan
dans le rôle de Daisy
Alexis Bledel
dans le rôle de Violet
James Gandolfini
dans le rôle de The Guy
Marianne Jean-Baptiste
dans le rôle de Number 1
Danny Trejo
dans le rôle de Russ
Lynda Gravatt
dans le rôle de Dolores
Tatiana Maslany
dans le rôle de April
Cody Horn
dans le rôle de Barbie Sunday
John Ventimiglia
dans le rôle de Man #1
Stu 'Large' Riley
dans le rôle de Man #2
Neville Archambault
dans le rôle de Man #3
Danny Hoch
dans le rôle de Man #4
Tuffy Questell
dans le rôle de Kidnapped Man
Nick Choksi
dans le rôle de Desk Officer
Gary Hope
dans le rôle de Hardware Store Cashier
Chris Colombo
dans le rôle de Hardware Store Perp
Bettye Fletcher
dans le rôle de Doll Hospital Patron
Francesca Chaney
dans le rôle de Doll Hospital Girl
La disponibilité peut varier selon le pays, la langue et la fenêtre de sortie. Certains titres sont inclus dans les abonnements aux plateformes, tandis que d'autres peuvent nécessiter une location, un achat ou un accès via l'application. Les catalogues de streaming et les accords de licence étant régulièrement mis à jour, les options de lecture peuvent évoluer. Pour une expérience de visionnage optimale, consultez la fiche la plus récente sur le service choisi et vérifiez la prise en charge régionale, les sous-titres et la compatibilité de l'appareil avant de commencer.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
Téléchargez les derniers paquets MovieBox pour mobile, les versions FM et les APK compatibles TV. Choisissez le paquet adapté à votre appareil et à votre région, puis suivez le guide d'installation officiel pour une compatibilité et une sécurité optimales.
Violet (Alexis Bledel) and Daisy (Saoirse Ronan) are a pair of gum chewing teenage hit women dressed as nuns who casually kill bad guys in New York. They take on a new hit to snuff out a mystery man (James Gandolfini) who crossed some villains and seems rather serene to his fate. This encounter to a man who casually awaits his death gives both young women a period of reflection. They are both overgrown girls and also emotionally retarded. They ride to hits on tricycles, jump on beds excitedly to the pop sounds of the latest teen idol and are deadly with a gun. The film does not progress much more than that and gives little depth to their characters and motivations. Rather disappointing as the writer/director wrote the Oscar winning screenplay to Precious. The film is a sub Quentin Tarantino rip off and an out of date one by 15 years. We see scenes of hits replayed from various angles and slow motion. We see people acting wacky giving us wisecracks and talking cute but it never amounts to much. Its just a boring and bad film instead of being hip and cool. Its a shame as James Gandolfini and Marianne Jean-Baptiste do their best to lift this botched film.
Bon film !
Bon film !
Bon film !
Violet (Alexis Bledel) and Daisy (Saoirse Ronan) are two innocent looking hired guns. Daisy just turned 18. They worship style icon Barbie Sunday. Russ (Danny Trejo) has an easy gig for them. The Guy (James Gandolfini) stole from their boss Chet. However the job gets a little more complicated. Precious screenwriter Geoffrey Fletcher tries to do a Tarantino style assassin movie. He has the central concept of girls with guns. He brings in a Gilmore Girl and the great Saoirse. He has Gandolfini who always has his A game. However he doesn't have the sharp quirky dialog or any new inventive style. This is rather bland. Despite all the great pieces, it doesn't add up to anything interesting.
"I know we gotta off him 'cause that's what we gotta do, but I don't want to do it until I know why he wants us to do it." Violet (Bledel) and Daisy (Ronan) are young girls who are best friends and assassins. When they see dresses they want they decide to take one more job in order to be able to pay for them. What is supposed to be a quick one shot one kill job becomes complicated when they start to talk to their mark. They start to become involved in his life and that changes their feelings about what they are supposed to do. There are some movie I watch based on the subject. Some I watch based off the cast. Then there are movies I watch because of one person. I have been a huge James Gandolfini since the first episode of The Sopranos. The movie on its own is pretty good and I did like it, but it's not a typical assassin movie. Do not go in expecting a shoot-em up action fest. This deals with more of a conversation between the three about why killing is the right thing to do. The assassins don't want to and the mark wants them to. Different but I liked it. Overall, not a typical assassin movie but worth seeing, especially for Gandolfini. I give it a B.
This is a delightful black comedy with some action about 2 sweet young female assassins for hire. Saoirse Ronan looks really sweet and lovely here. Alexis Bledel convincingly plays a young woman even though she much older than Ms Ronan. James Gandolfini in one of his last roles is quite touching and endearing as their target. There are some laugh out loud originally funny moments and dialog in the vein of Luc Besson and Quentin Tarantino but still unique in it's own way. There are some slower moments but on the whole you care for the characters so it keeps you interested till the end.
James Gandolfini tries to convey a vision through his acting that is real in his comprehension. A lot of his role is not acting and that is the part that cuts you like a knife, it makes it a legacy film like no other. He is aware of his coming demise in reality and in the film, When he explains himself a lot of is answer is just who and what his life really is. A lot of it is just acting and even the acting is great. The two girls are so innocent and since they are they don't have a blackened souls yet, even though such people would be very dark in some crazy way it could be possible in this crazy world to have such innocent assassins. It makes them into tools like men, but they are so efficient that men are just tools to them. James brings them to an unveiling of reality that comes to the viewers eyes. Like an indelible mark his presence will remain forever in daisy's heart and in you from his soul to yours. This is one of the classics forever.
this movie has almost it all. it includes friendship, money problem AND killing.. it's not a lame romantic movie, it makes you think and it is beautiful done! you should give it a try. I mean it's about two teenage girls who are not sure what to do with life and they are just trying to get enough money so they can buy some dresses, but when they think that all they have to do is kill someone they're wrong because it's so much more than that... they're about to learn such a big part in life and accepting how things are, try to make the most of the situation. this might not be a movie you'll re-watch but it's really enjoyable and very beautiful done. it's a movie which will leave you not empty, but not full it will leave you thinking.
The movie starts with a great promise and packed with action. The idea of using innocence with cruelty is a great one. the cinematography is great too but once the story stays in one place for a long time than it gets a little bit boring. As soon as we learn why Gandolfini wants to die the movie is about good as over however it goes on for another 45 minutes or so. I think Geoffrey Fletcher missed the point on this one. This could've been an action packed piece with a heart without being boring. It seems that he just didn't know how to achieve that sort of a formula. However, this movie is not a total waste of time. It still has some interesting moments and good montage. Worth a watch.
Un décryptage détaillé des récents changements de prix, des raisons pour lesquelles les utilisateurs repensent leur installation et de la façon d'évaluer une solution alternative sans perdre vos habitudes de découverte.
Découvrez la bonne méthode pour installer l'APK Movie Box : d'abord les bases de version, puis des étapes d'installation propres, et enfin comment choisir entre TV, iOS, Web et application.
Une critique détaillée expliquant pourquoi Project Hail Mary se distingue en 2026 : qualité d'adaptation, narration scientifique, profondeur émotionnelle et réactions du public.
Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.