A. Edward Sutherland
as Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The comedy film The Invisible Woman, starring Virginia Bruce, John Barrymore, John Howard, etc., directed by A. Edward Sutherland, was released on December 27, 1940 in the United States. It tells the story of An attractive model with an ulterior motive volunteers as guinea pig for an invisibility machine. This is a Comedy, Horror, Romance film with a runtime of 72 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.9/10 from 3,824 viewers.
A. Edward Sutherland
as Director
Virginia Bruce
as Kitty Carroll
John Barrymore
as Professor Gibbs
John Howard
as Richard Russell
Charles Ruggles
as George
Oscar Homolka
as Blackie Cole
Edward Brophy
as Bill
Donald MacBride
as Foghorn
Margaret Hamilton
as Mrs. Jackson
Shemp Howard
as Frankie
Anne Nagel
as Jean
Kathryn Adams
as Peggy
Maria Montez
as Marie
Charles Lane
as Grawley
Mary Gordon
as Mrs. Bates
Thurston Hall
as Hudson
Eddie Conrad
as Hernandez
Harry C. Bradley
as Want-Ad Clerk
Kernan Cripps
as Postman
Curt Siodmak
as Writer
Joe May
as Writer
Robert Lees
as Writer
Frederic I. Rinaldo
as Writer
Gertrude Purcell
as Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
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source: The Invisible Woman
Good movie!
The Invisible Woman
A scientist (a sadly aged John Barrymore) invents a machine that can turn people invisible. He experiments on a young woman (Virginia Bruce) and it works. However the effect wears off after a while. Then some buffoonish gangsters get involved and the movie becomes unbearable. Squarely aimed at kids and full of violent unfunny slapstick. The cast (which also includes John Howard and Margaret Hamilton) are good but the material isn't there for them. The special effects are good but sparsely used (the film is only 70 minutes). The biggest problem in this film is seeing the great John Barrymore looking terrible in what was one of his last film roles. The role is clearly beneath him but he gives it his all. Still this is an unfunny and violent comedy that is forgettabke. Skip it.
Generally hilarious comedy, though not exactly a spoof on the "Invisible Man" series and, in fact, totally unrelated to the first two Universal films or the ones which followed it. A superb cast throws itself gleefully into the madcap proceedings, with Charlie Ruggles as the accident-prone butler and Oscar Homolka's homesick gangster coming off best. John Barrymore was one of the best actors of his generation and, while at this stage in his career he was mainly reduced to B-movie roles, he was never less than commanding and his comedic skills (as displayed so brilliantly in Howard Hawks' TWENTIETH CENTURY [1934]) are, quite simply, a joy to behold.
I watched this with low expectations even though it has plenty of well known actors in it. It seemed like one of those so bad there fun to watch low budget movies. Boy was I surprised. It was very funny and entertaining from start to finish. Very unusual part for a woman in those days. Sorta like watching Lucy. Every one of the actors know they are not playing Shakespeare and seem to be having a hoot. Special effects aren't too shabby either. The length is perfect with action from start to finish. Not a dull moment. Highly recommend this for anybody. If you can get kids to watch a B&W movie they will love this. Slapstick and sophisticated jokes all in one.
This movie is a winner all the way. Mad Scientist Barrymore with Margaret Hamilton as his housekeeper invents an invisibility formula for his patron. When a model, Virginia Bruce, gets a hold of it, all havoc breaks loose, from revenge on her tyrannical boss, Charles Lane, to Oskar Homolka and Shemp Howard, two villains trying to steal the formula for themselves. Charles Ruggles also provides hilarity as the butler/chauffer.
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Comedy stories are designed to entertain through humor. Popular formats include situational comedy, sketch-style humor, workplace comedy, and romantic comedy.
Action titles emphasize excitement, physical conflict, heroic characters, and fast-paced storytelling. Adventure titles often feature exploration, survival, or epic journeys.
Crime dramas follow investigators, detectives, lawyers, or journalists as they solve criminal cases. Mystery stories encourage audiences to uncover clues alongside the characters.
Science fiction explores futuristic technology, space travel, artificial intelligence, alternate realities, and scientific speculation.
Horror storytelling creates suspense through psychological tension, supernatural events, monsters, or survival scenarios.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.
Animation includes works for children, families, and adults, ranging from educational content to complex dramatic storytelling.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.