Tilda Swinton
as Alithea
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The drama film Three Thousand Years of Longing, starring Tilda Swinton, Idris Elba, Erdil Yasaroglu, etc., directed by an unlisted director, was released on August 26, 2022 in Australia. It tells the story of A lonely scholar, on a trip to Istanbul, discovers a Djinn who offers her three wishes in exchange for his freedom. This is a Drama, Fantasy, Romance film with a runtime of 108 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.3/10 from 28,833 viewers.
Tilda Swinton
as Alithea
Idris Elba
as The Djinn
Erdil Yasaroglu
as Prof. Günhan
Sarah Houbolt
as Airport Djinn
Sabrina Dhowre Elba
as British Council Lady
Sabrina Dhowre Elba
as The Watcher
Seyithan Özdemir
as Pale Djinn
Aamito Lagum
as The Queen of Sheba
Nicolas Mouawad
as King Solomon
Ece Yüksel
as Gülten
Matteo Bocelli
as Prince Mustafa
Lachy Hulme
as Sultan Suleiman
Megan Gale
as Hürrem
Ogulcan Arman Uslu
as Murad IV
Jack Braddy
as Ibrahim
Zerrin Tekindor
as Kösem
Anna Adams
as Sugar Lump
George Shevtsov
as The Old Storyteller
David Collins
as Ozmet the Jocular
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
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This movie was a delightful story. if u are captivated by ur imagination, this is for u! I give it a solid 7!
Good movie!
Good movie!
Good movie!
source: Three Thousand Years of Longing
Tedious, generic, colorful, bland, magical, full of flashbacks, visually stunning, unsatisfying, lifeless, and mediocre. Meh story that feels slopped together and isn't bad to look at but ultimately this is just Aladdin for boomers.
It's a good movie, that should have been excellent but ended up just "good". It's visually magnificent, it has very good acting and it's basic idea is original and even poignant but. There are a few very big buts in stopping it from reaching the potential heights it should've reached. It's getting lost in its own meandering tale, though we've all figured out the point it wanted to make long before it spells it out on the screen. It want's too much to demonstrate it's about storytelling so all the stories we see on screen are so heavily narrated that many of their charming characters end up as puppets with only glimpse of the character they should have, preventing us from really caring for them or in other words leaving us uninvolved with big chunks of the story. The combination of a long meandering plot line that keeps the audience uninvolved is an obstacle almost no movie can survive. If I did enjoy it it's mainly because of the leading couple - Idris Elba and Tilda Swinton - no they're not giving a gut wrenching performance - they're simply very very professional keeping the convoluted plotline from losing us altogether anchoring the viewers to the story without turning it into a soap opera, and it could very easily turn into one so I'm definitely grateful for that professionalism. I simply can't help wondering what could have happened had it fulfilled the potential it most certainly has.
We are advised to see it on the biggest screen possible to fully appreciate this masterpiece of filmmakng. Let's face reality; it's like a made-for-TV movie with an inflated budget. When Idris Met Tilda: "I'll have the salary that she's having!" YOU READ THE BOOK . . . NOW, SEE THE MOVIE! Looking for Love in All the Wrong Vases "Worst genie ever!" ~ Jeff Albertson aka Comic Book Guy "Talk amongst yourselves." ~ Linda Richman.
A lonely scholar (Tilda Swinton) while on a trip buys a bottle, only to discover it contains a genie calling himself The Djinn (Idris Elba), and. Tells her that he will grant her three wishes, but she is reluctand to do so, feeling like the wishes won't turn out right, but in hopes to help her, he tells his life story. But will she have wishes to grant? It's a film that takes you into it's world, a journey into this magical odyessy has only George Miller (Mad Max) can direct it. The effects are at well standard. And the chemistry between Tilda Swinton and Idris Elba is pretty good, playing two lonely lost souls. But I would not want to sit through this again, one time is enough.
Several parables set up a narrative for Idris Elba's lonely, heartsick and surprisingly relatable djinn - while providing a potpourri of short stories with both entertaining and unpredictable narratives. His perspective runs counter to Tilda Swinton's academic, who enters with confidence - only to doubt her most strongly held beliefs. This is an adult fairytale that forces us (as it does Swinton's Alithea, "truth" in Greek mythology) to realize that fulfillment in life comes from the coalescence of science, history, and, yes, faith in following one's heart. Technically, George Miller's team pulls off seamless special effects in a kaleidoscopic backdrop of the Middle East, spanning from the time of King Solomon and Sheba through the Ottomon Empire with stunningly beautiful and often heartbreaking backstories. The musical score never drowns out the dialogue, while the visuals are always adding layers that provide purpose to our characters' motivations. Overall, Three Thousand Years of Longing is a recommended film, that can stand up to analysis due to some unique directorial and story-telling characteristics, while also serving as a satisfying date night with turns that will keep viewers longing to learn the fate of our two lead characters.
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