Nicolas Roeg
as Director
The adventure film Walkabout, starring Jenny Agutter, David Gulpilil, Luc Roeg, etc., directed by Nicolas Roeg, was released on July 1, 1971 in the United Kingdom. It tells the story of Two city-bred siblings are stranded in the Australian Outback, where they learn to survive with the aid of an Aboriginal boy on his "walkabout": a ritual separation from his tribe. This is an Adventure, Drama film with a runtime of 100 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.6/10 from 29,365 viewers.
Nicolas Roeg
as Director
Jenny Agutter
as Girl
David Gulpilil
as Black Boy
Luc Roeg
as White Boy
John Meillon
as Father
Robert McDarra
as Man
Peter Carver
as No Hoper
John Illingsworth
as Girl's Husband
Hilary Bamberger
as Father's Wife
Barry Donnelly
as Australian Scientist
Noeline Brown
as German Scientist
Carlo Manchini
as Italian Scientist
George Roubicek
as Radio Announcer
Edward Bond
as Writer
Donald G. Payne
as Writer
Nicolas Roeg
as Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
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Sijui ka mko huku lakin the black boy aliona kasusu ka dem mate ikamtoka move is so interesting wali
Good movie!
Good movie!
Good movie!
Good movie!
source: Walkabout
Good movie!
Walkabout
Two young children are stranded in the Australian outback and are forced to cope on their own. They meet an Aborigine on "walkabout": a ritualistic separation from his tribe. Louis Nowra wrote, "I was stunned. The images of the Outback were of an almost hallucinogenic intensity. Instead of the desert and bush being infused with a dull monotony, everything seemed acute, shrill, and incandescent. The Outback was beautiful and haunting." I could not agree more -- National Geographic cannot make a film more rich and vibrant than this. Roger Ebert asked rhetorically, "Is it a parable about noble savages and the crushed spirits of city dwellers? That's what the film's surface suggests, but I think it's about something deeper and more elusive: the mystery of communication." Is he on to something? I do not know... there is definitely a communication element -- its importance is debatable.
This is one of those "art for art's sake" films that were so popular in the 70's (Roeg's "Don't Look Now" is another). Tedious pacing (meant to be "deliberate"), obscure editing tricks (meant to be "inventive"), TERRIBLE, confusing storytelling (meant to be "elliptical"), poorly defined characters (meant to be "symbolic"), in an allegory that probably only Roeg himself understands fully, yet it has people writing (quite eloquent) essays on it. At least the images are beautiful - but then again, how difficult is it really to make a tree or a lake or a sunset look beautiful? (*)
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