Andrea Bianchi
as Director
English,Filipino,Français,Indonesian,Kiswahili,Malay,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,हिन्दी,বাংলা,ਪੰਜਾਬੀ
The crime film What the Peeper Saw, starring Mark Lester, Britt Ekland, Hardy Krüger, etc., directed by Andrea Bianchi, was released on October 14, 1972 in the United Kingdom. It tells the story of A wealthy author's second wife begins to suspect that her 12-year-old stepson may have murdered his mother, who mysteriously died in a bathtub accident. This is a Crime, Drama, Horror film with a runtime of 89 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.7/10 from 2,085 viewers.
Andrea Bianchi
as Director
James Kelley
as Director
Mark Lester
as Marcus
Britt Ekland
as Elise
Hardy Krüger
as Paul
Lilli Palmer
as Dr. Viorne
Harry Andrews
as Headmaster
Conchita Montes
as Sophie
Colette Jack
as Sarah
Ricardo Palacios
as Party Guest
Trevor Preston
as Writer
Andrea Bianchi
as Writer
Erich Kröhnke
as Writer
Bautista Lacasa Nebot
as Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
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help me I speak french
hindi dubbed please
1:04:00
blonde lagi🗿
hi
nice
👍👍👍
Good movie!
"What the Peeper Saw" is much more of a psychological drama than a horror film, or even a thriller. It focuses heavily on the antagonistic relationship between Elise (Britt Ekland), the new wife of an older man, successful author Paul (Hardy Kruger), and her stepson Marcus (Mark Lester of "Oliver!" fame). They initially seem to get along all right, but Elise becomes increasingly frustrated by this enigmatic, aloof kid, who acts much older than his actual age. She comes to suspect that he had murdered his biological mother Sarah (Colette Giacobine), and now has similar designs on her. As directed by James Kelley ("The Beast in the Cellar"), you can't ever expect a lot of tension in this film. That doesn't seem to be its primary concern. It DOES have a sexual charge about it, however. Hell, the uncut version opens with a scene of nudity. The evolving relationship between our heroine and bratty antagonist does play up this quality. (Still, it must be noted that you don't ever see the kid indulge in the act of peeping on screen.) The single most memorable sequence involves the two main characters exchanging clothes for information, as Elise strips in front of Marcus in order to get some truths out of him. And this kid is one truly cagey character. One thing you can expect is that the scenario turns into one of "he said, she said", and Elise is understandably flustered that she can get almost nobody to believe her about this bad seed. Ekland is no great shakes as a dramatic actress, but she just looks so damn fine that some viewers probably won't mind very much. (She DOES give the proceedings an earnest effort.) Kruger is fine as the dad, but the film belongs to young Lester, who's quite amusing throughout. Lilli Palmer and Harry Andrews are excellent in special guest appearances as a psychiatrist and school headmaster. The out of nowhere violent ending is downright hilarious, even if it's probably not intended to be that way. The Italian version is credited to Andrea Bianchi ("Strip Nude for Your Killer", "Burial Ground"). Six out of 10.
This is just what the world needed--the star of "Oliver" as a pubescent sex pervert and psychopath. A young woman (Swedish sex symbol Britt Ekland)marries an older man soon after his first wife dies in a mysterious bathtub accident. All is fine until his creepy 12-year-old son (played by Mark "Oliver" Lester) returns home early from school. The cold, precocious youngster tortures and kills animals, tells malicious lies to turn her husband against her, spies on them in bed(this was alternately marketed under the more lurid title "What the Peeper Saw"), and for the piece de resistance forces her to strip while he reveals the truth about what happened to his mother. This movie is not entirely uninteresting, but it is let down by the acting. Britt Ekland was great dancing naked in "The Wicker Man" and tolerable as a bikini-clad Bond girl in "The Man with the Golden Gun", but she is simply not a good enough actress to play a dramatic lead. As for Lester there is probably a reason he never made the leap from child to adult star--he was pretty much a British MacCauley Culkin (who years later would star in a very similar "Bad Seed"-type movie called "The Good Son"). Lester is not very scary and he's certainly not very convincing as an erudite child genius (who names his dogs "Trotsky" and "Hanibal"). Modern audiences will probably be surprised by the sexual intrigue between Ekland and Lester. I don't know if that scene where she strips for him was controversial at the time, but I know a similar scene in Lucio Fulci's "Don't Torture a Duckling" where Barbara Bouchet displays herself to a young boy certainly was. The ending is surreal, bizarre, and really doesn't make a lick of sense, but it's vastly preferable to the very predictable ending of the "The Good Son" or the ridiculous deus ex machina ending of the original "The Bad Seed". This film may not be as creepy and well-acted as the "The Bad Seed", but it's not as stagey and it was filmed in one of the most beautiful places in the world, the north of Spain. However, if you want good acting, a truly creepy storyline, AND beautiful cinematography, the best of these bad seed/child psycho movies is "The Sailor Who Fell from Grace with the Sea" with Kris Kristoferson.
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