Sai Sekhar
as Director
English,Filipino,Français,Indonesian,Malay,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The comedy film Aruvam, starring Siddharth, Catherine Tresa, Kabir Duhan Singh, etc., directed by Sai Sekhar, was released on October 11, 2019 in India. It tells the story of A woman who doesn't like harming even an ant is possessed with the ghost of the man who loves her, which wants to take revenge on the corrupt men who murdered him. This is a Comedy, Horror film with a runtime of 128 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.7/10 from 1,028 viewers.
Sai Sekhar
as Director
Siddharth
as Jagannathan
Catherine Tresa
as Jyothi
Kabir Duhan Singh
as Vikram Jeyaraj
Sathish
as Sorimuthu (Muthu)
Aadukalam Naren
as Jyothi's father
Madhusudhan Rao
as Dinesh Menon
Stunt Silva
as Daniel Christopher
Manobala
as School Head Master
Mayilsamy
as School watchman
Joshua Parisutham
as Muttai Moorthi
Gayathri Raghuram
as DNA Professional
Sujatha Sivakumar
as School Cook
Murali
as School PT Master
Supergood Subramani
as Parrot Astrologer
Yash Pal
as Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
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why not in HINDI 😭😭
hi h
We are going to make a tree drink poison (liquor) in beginning of movie. Supernatural magic affecting all the characters because of their nasty actions. Obviously, in India, there are so many corrupt government officials, therefore, all business is thought evil. Pay your way to get construction, business, government stuff put through no matter who or what you hurt. This movie is about that. Mid-way through, there starts some way over the top action. Super unbelievable scenes where the main character throws people like 50 feet away, etc. This should have been a realistic type movie to make more of an impact, but I gave up and tuned out. Also, If you are going to make a drama film, stop with the Bollywood music. Otherwise, ok.
Great plot and very well executed. Must watch !! Very touchy subject and great acting.
A woman who doesn't like harming even an ant is possessed with the ghost of the man who loves her, which wants to take revenge on the corrupt men who murdered him. For a while in Aruvam, you think that the director, Sai Shekar is winking at the clichés that we see in our films. Take the introduction scene of the heroine, Jothi (Catherine Tresa). She is so pure of heart that she stops herself from stepping on a few ants while getting down from her car. The director doubles the cliché when in the same scene, he makes her carry a dead dog and bury it - even while her colleagues are put off by the foul smell. In the scenes that follow this one, we get more of Jothi's good samaritan side. She lets free a parrot belonging to an astrologer, she feeds the inmates of an old-age home. In fact, the protagonist, Jagan (Siddharth) witnesses her performing some of these acts and in true filmi fashion, falls in love with her. Even Jagan gets a sob story to make us instantly like him. He is an orphan, and honest. "Suthathoda uchcham," his friend describes him. But it is only after a while that we realise that Sai Shekar is dead serious (pun intended). What seems like a high-concept romance - Jothi has an unusual condition, which makes her oblivious to smell, and turns the persistent Jagan down, fearing her disability might result in a tragedy as in her past - suddenly becomes a revenge movie involving a ghost. But this earnestness and the predictable plot developments keep weighing the film down. The writing is all over the place. We expect Jothi's 'disability' to have a bearing on the plot, but it never does. In the latter half, we get shots of Jagan sniffing out food adulteration (he is a food safety inspector), quite literally! But this, too, just doesn't go anywhere. We also get a handful of villains, none of whom make an impact. As for the leads, Catherine Tresa is too lightweight for a role that calls for both acting chops and commanding screen presence while Siddharth's characterisation seems to be just a different version of what he played in the recent Sivappu Manjal Pachai. He comes across as sincere, but with the rest of departments failing him, there is only so much he can make up for. Maybe he can take solace in the fact that he is perhaps the only actor who has been part of three different ghost films - the excellent Aval (pure horror), the partly amusing Aranmanai 2 (horror comedy), and now, this dull revenge drama.
My God, what a terrible movie. So many unnecessary scenes. Terrible CGI. Pathetic plot. The climax is so terribly shot.. No concept of lighting, acting & dialogues etc
A very important social messages in this movie about Food And music is one of the positive for the movie .
Content & dialogues were good, Siddharth's acting was perfect, nothing else seems to have worked out. One of the wasted movie. The content was very good and apt to the current economic scenario but the story & screenplay with a ghost in it trying to create thrill in an effort to make a thriller/commercial/message-oriented movie, they've failed miserably. Worst VFX, poor song placement.
You don't see this movie as a masala movie, it conveys an important social message. What the Food and Drug Administration does, The Food and Drug Administration decides whether the food we pay for is edible or not. There are many big food brands out there today, but how many of them are clean and chemical free?
Siddharth is one of the most underrated actor. His performance was quite good. Some of the scenes were just a little over done but overall great performance and sincerity. Catherine was good. She played her character very well and I appreciated the fact she could share almost equal screen space with Siddharth. The only flaw was the execution. The concept and suspense were good, but the overall feel did not really motivate for social reaction. I would say this is a good one time watch.
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Comedy stories are designed to entertain through humor. Popular formats include situational comedy, sketch-style humor, workplace comedy, and romantic comedy.
Action titles emphasize excitement, physical conflict, heroic characters, and fast-paced storytelling. Adventure titles often feature exploration, survival, or epic journeys.
Crime dramas follow investigators, detectives, lawyers, or journalists as they solve criminal cases. Mystery stories encourage audiences to uncover clues alongside the characters.
Science fiction explores futuristic technology, space travel, artificial intelligence, alternate realities, and scientific speculation.
Horror storytelling creates suspense through psychological tension, supernatural events, monsters, or survival scenarios.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.
Animation includes works for children, families, and adults, ranging from educational content to complex dramatic storytelling.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.