Bridget Savage Cole
as Director
English,Filipino,Français,Indonesian,Português,اَلْعَرَبِيَّةُ,বাংলা,中文
The comedy film Blow the Man Down, starring David Coffin, David Pridemore, Adam Wolf Mayerson, etc., directed by Bridget Savage Cole, was released on March 20, 2020 in the United States. It tells the story of Mary Beth and Priscilla Connolly attempt to cover up a gruesome run-in with a dangerous man. To conceal their crime, the sisters must go deep into the criminal underbelly of their hometown, uncovering the town's darkest secrets. This is a Comedy, Crime, Drama film with a runtime of 91 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.4/10 from 13,274 viewers.
Bridget Savage Cole
as Director
Danielle Krudy
as Director
David Coffin
as Singing Fisherman
David Pridemore
as Singing Fisherman
Adam Wolf Mayerson
as Singing Fisherman
Mark S. Cartier
as Singing Fisherman
Meredith Holzman
as Dee
Ebon Moss-Bachrach
as Gorski
Sophie Lowe
as Priscilla Connolly
Morgan Saylor
as Mary Beth Connolly
June Squibb
as Susie Gallagher
Marceline Hugot
as Doreen Burke
Annette O'Toole
as Gail Maguire
Linda Shary
as Mary Margaret Connolly
Margo Martindale
as Enid Nora Devlin
Owen Burke
as Paulie
Skipp Sudduth
as Officer Coletti
Will Brittain
as Officer Justin Brennan
Gayle Rankin
as Alexis
Neil Odoms
as Bob Gallagher
Danielle Krudy
as Writer
Bridget Savage Cole
as Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
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Good movie!
Good movie!
Good movie!
Good movie!
Good movie!
Good movie!
source: Blow the Man Down
Definitely reminded me of Fargo, sinister underlying unease and moody cinematography but the best for me was the acting. Even the hooker was exceptional. The intermediate singing, although haunting and an integral part of the movie, got on my nerves a bit though. Perhaps used it in the wrong way.
Stylistically, this is my kinda movie. A remote New England town, murder mystery, female protagonist... The trailer with Margo Martindale telling the girls to "drink" raised a smile with me however I did get the sense that this "Dark Comedy" had a real Netflix vibe - judging from the trailer. Anyhow, I watched it tonight. And it was worse than I expected. Honestly, you'd get a deeper plot and more intriguing characters watching Forensic Files. I think it took about an hour before I said, "Ok, something's happening now". This feels a lot like a student film your friend made that you want to like and are tortured for 1 & 1/2 hours sitting through. It's hampered by a lackluster story-line, a horrible screenplay and unattractive people. What antagonizes this is the desperate attempt at fixing the nowhere-ness at it's core with beautiful scenery, cinematography, a great soundtrack reminiscent of a good British Mystery and some momentary try-hardy Cohen Bros -esque stylings which normally I crave, but here it feels phony, and almost like an insult as opposed to homage. There was a point half way through where i said, "they need to bring in those singing Fishermen again to fix that last scene" and lo and behold - cue the the singing fishermen! lol the director knew it was dying too. The singing Fisherman are a perfect example of why it was irritating. Antagonistic, because while singing Fishermen are creepy and vibey.. they are not enough to distract us from the movie we are watching. Frankly this movie isn't good enough to deserve singing Fishermen. I've seen The Wickerman, and you sir, are no Wickerman. I think someone had the right idea, the right elements, the right setting, a great dp / cinematographer, art direction (great wallpaper!), great soundtrack, although again, this movie isn't clever enough to warrant that "British Mystery Soundtrack". The ball was dropped with the screenplay, direction and casting. Margo Martindale is a definite standout along with Will Brittain. Otherwise the cast was ho-hum. In general there may not have been enough story to grab onto in the first place to get this on par with the sources it is derivative of , but it was packaged nicely.. About this Netflix-y vibe..I'm not a fan of the current trend, nor find humourous having old people say trendy 'hip' things.. it's so cheeky. I get the sense that the screenwriter is young. It puts this into a cheap category as opposed to a classic. You can do a darkly humorous suspenseful mystery without the sit-com flavored dialogue. - see Knives Out.
Small town crime neo-noir strikes again, this time in a way that feels fresher. A lot of people are praising "Blow the Man Down" for invoking a "Fargo" feel which I agree it does, the spirit is there, in the form of the story and what's happening to characters, ordinary and mysterious alike. Led by a strong mostly female cast, "Blow the Man Down" is an engaging ride into the neat world of a small coastal town and the unravelment of its shadier side. Priscilla (Sophie Lowe) and Mary Beth (Morgan Saylor) Connolys are dealing with the death and funeral of their mother and the next couple days will be a storm distress not only for them but for the whole town. A murder happens, and the rest is up to You to see. Did I mention that the town is run by a bunch of old women? There's enough fun to be had with the secrets and antics of this small port town, script provides until the very end. Directors and writers Bridget Savage Cole and Danielle Krudy are walking a fine line of using familiar genre tropes and tweaking them just enough to allow some necessary freshness while never doing an overkill at it. The structure's not flawless and pacing suffers at moments, but not at a big cost. The two young leads, together with a veteran supporting cast does a great job in the acting department, with the highlight performances being brought on by Sophie Lowe and Margo Martindale in the more villainous role. If the story and characters aren't enough yet, there's also decent cinematography - the indie, low-budget kind, but one that colors the chilly atmosphere, which is further filled with mood setting creative solutions in the music department. I say blow him down, I'm excited to see what these filmmakers bring on next, and always down for just about anything that fits the bill of a small town crime / neo-noir / americana / rural shenanigans themes in the crime genre. "Blow the Man Down" should please the like-minded. My rating: 7/10.
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Comedy stories are designed to entertain through humor. Popular formats include situational comedy, sketch-style humor, workplace comedy, and romantic comedy.
Action titles emphasize excitement, physical conflict, heroic characters, and fast-paced storytelling. Adventure titles often feature exploration, survival, or epic journeys.
Crime dramas follow investigators, detectives, lawyers, or journalists as they solve criminal cases. Mystery stories encourage audiences to uncover clues alongside the characters.
Science fiction explores futuristic technology, space travel, artificial intelligence, alternate realities, and scientific speculation.
Horror storytelling creates suspense through psychological tension, supernatural events, monsters, or survival scenarios.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.
Animation includes works for children, families, and adults, ranging from educational content to complex dramatic storytelling.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.