Anne Hathaway
as Gloria
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The comedy film Colossal, starring Anne Hathaway, Jason Sudeikis, Austin Stowell, etc., directed by an unlisted director, was released on April 21, 2017 in the United States. It tells the story of Gloria is an out-of-work party girl forced to leave her life in New York City and move back home. When reports surface that a giant creature is destroying Seoul, she gradually comes to the realization that she is somehow connected to this phenomenon. This is a Comedy, Drama, Fantasy film with a runtime of 109 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.2/10 from 73,166 viewers.
Anne Hathaway
as Gloria
Jason Sudeikis
as Oscar
Austin Stowell
as Joel
Tim Blake Nelson
as Garth
Dan Stevens
as Tim
Hannah Cheramy
as Young Gloria
Nathan Ellison
as Young Oscar
Sarah Surh
as Mother
Haeun Hannah Cho
as Little Girl
Joe Costa
as Old Man
Melissa M. Montgomery
as Waitress
Christine Lee
as Seoul Waitress
Rukiya Bernard
as Maggie
James Yi
as Fund Raiser Man
Alyssa Dawson
as Reporter
Miho Suzuki
as International News Anchor
Charles Singh
as Expert #1
Jenny Mitchell
as Expert #2
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
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great
,😶😶😶👍
Good movie!
Good movie!
Good movie!
Good movie!
Good movie!
Good movie!
I get the premise, and I get the connections to the kayju genre. That gets the movie out the door, and keeps things moving. Where this movie falls flat is the characters and plot development. Other reviewers have nailed it: It's as if the middle of the movie was missing. *Spoilers below* You have very flawed, but bordering on real characters, and then within a blink of an eye, one turns into pure evil. And not only that, but the character has always been this way? You get one flashback that begins to set that up, but then ultimately delivers nothing. I didn't believe his transition, and even if I'd wanted to, the movie only gives you about 20 minutes to come to terms with it, before it ends. They tease out interesting concepts – e.g. "I got drunk and, because of that, my kayju avatar killed a bunch of people." The moment they start to explore that, the movie races to the finish line, and skips over a needed section of character and plot development. Ultimately, I felt like I'd received the appetizer and dessert, but the restaurant forgot my entree.
Fist off, this is a good film. Let me get that out of the way. To h*ll with the haters. It's smart. Clever. Unique. If you pay attention there are plenty of gags. Hathaway shines and all the rest. It's just NOT the film the trailers lead people to believe, and I really hate that. The trailers filled seats with people who were expecting to see some quirky romcom and instead they got 'Annie Darko' and wound up hating it. And this is a major pet peeve of mine. The same thing happened with "White God" This kind of advertising always backfires. The PR dpt just puts together any trailer they think will fill the seats on opening night, then it brings the wrong audience and hurts the film in the long run. Colossal should have been advertised like "Motorama" or "The Dark Backwards"... or "Eating Raul". It's a dark edgy comedy and it's not supposed to be of the 'wacky wild hilarity' genre'. OK, it's not a life altering cinema, but it is far better than most of the critiques I've read. And one thing all those critiques had in common...? They all said it wasn't what they were expecting, or it couldn't figure out what it wanted to be. Wrong. The film was exactly what it was trying to be. The viewers just couldn't figure out what it was doing because they all thought it was trying to do something else.... primarily because of the way it was presented. Not that it's easy to describe. Just abandon your preconceived notions before you watch. I actually like it better than the film I thought it would be.
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Comedy stories are designed to entertain through humor. Popular formats include situational comedy, sketch-style humor, workplace comedy, and romantic comedy.
Action titles emphasize excitement, physical conflict, heroic characters, and fast-paced storytelling. Adventure titles often feature exploration, survival, or epic journeys.
Crime dramas follow investigators, detectives, lawyers, or journalists as they solve criminal cases. Mystery stories encourage audiences to uncover clues alongside the characters.
Science fiction explores futuristic technology, space travel, artificial intelligence, alternate realities, and scientific speculation.
Horror storytelling creates suspense through psychological tension, supernatural events, monsters, or survival scenarios.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.
Animation includes works for children, families, and adults, ranging from educational content to complex dramatic storytelling.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.