Borys Lankosz
as Director
The crime film Dark, Almost Night, starring Magdalena Cielecka, Rafal Mackowiak, Modest Rucinski, etc., directed by Borys Lankosz, was released on June 1, 2021 in Poland. It tells the story of Reporter Alicja Tabor returns to Walbrzych, the city of her childhood. There she will go back to all her hardcore family secret dramas, and start investigating a sinister case related to the disappearance of children. This is a Crime, Drama film with a runtime of 114 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.6/10 from 773 viewers.
Borys Lankosz
as Director
Magdalena Cielecka
as Alicja Tabor
Rafal Mackowiak
as Pawel Kupczyk
Modest Rucinski
as Alicja's Father
Jerzy Trela
as Mr. Albert
Eliza Rycembel
as Ewa
Eliza Rycembel
as 17 y.o.
Antonina Litwiniak
as Alicja Tabor
Antonina Litwiniak
as 8 y.o.
Wlodzimierz Dyla
as Mizera's Neighbor
Roma Gasiorowska
as Mizera
Aleksandra Konieczna
as Babcyjka
Nikola Karwowska
as Pink Girl
Piotr Polak
as Immovable Angler
Marcin Dorocinski
as Marcin Schwartz
Mateusz Czulowski
as Little Albert
Helena Norowicz
as Rosemarie
Helena Norowicz
as Duchess Daisy
Malgorzata Hajewska
as Apolonia Kitty Kitty
Krystyna Tkacz
as Socha
Dorota Kolak
as Maria Waszkiewicz
Piotr Fronczewski
as Marian Waszkiewicz
Joanna Bator
as Writer
Borys Lankosz
as Writer
Magdalena Lankosz
as Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
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Good movie!
Good movie!
Good movie!
Good movie!
I left the cinema astonished, able only to mutter a "wow" under my breath. This movie starts as an extremely vague and almost mystical journey, and, as the plot unveils, finishes as a solid, strong crime novel, where every piece fits together as it should. If I were to compare it to internationaly recognized movies/series, I would strongly lean towards True Detective. The vibe is similiar, yet different in its own, brutal way - with much more depth. The camera work is short of a masterpiece. The landscapes captures are akin to works of art, the shots are wonderfully done. I'm still in awe. Highly recommended to anyone with a strong stomach and penchant for a solid, cruel crime story with an ending, that will certainly not leave you unsatisfied.
The movie has flaws, quite a few of them. The pacing should be one of them. Then again the movie has the right sentiment overall. Quite dark, quite slow, this will not be a favorite. That doesn't mean it won't find an audience overall, especially because it tries to be compelling. Sometimes trying alone isn't enough though. I would recommend you watch the trailer, you'll get a feeling about it and will be able to tell if this is something you want to watch
I watched this movie on the worldwide opening night in Warsaw. It started as an interesting, but quirky dark fantasy film with hints of horror. Not my cup of tea, but it could still be an entertaining evening. However, soon enough the movie turned into a mess. The plot is a trivialization of child abuse that despite using fairy tales tropes is as explicit as it can get, like the screenwriter never learned about metaphors. The dialog, mostly delivered as drawn out monologues, never made much sense and failed to keep anyone's attention. The numerous characters whose lives were interwoven in complicated relationships as you would expect of a soap opera on its 20th consecutive running year. The sound was OK, though the adult screams were ridiculous at times. The only redeeming factor was the photography, which did a great job capturing the forest where the film was filmed and many of the aged interiors. The movie could have easily been 30 to 45 minutes shorter. Each of the two or three epilogues after the mystery had been solved made people in the audience ask whether the movie was finally ending that time. Ironically, when the producer introduced the movie, he criticized the same film institutes that financed 100% of this movie for not funding movies that aren't romantic comedies or war movies. And that's why we can't have nice things.
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Comedy stories are designed to entertain through humor. Popular formats include situational comedy, sketch-style humor, workplace comedy, and romantic comedy.
Action titles emphasize excitement, physical conflict, heroic characters, and fast-paced storytelling. Adventure titles often feature exploration, survival, or epic journeys.
Crime dramas follow investigators, detectives, lawyers, or journalists as they solve criminal cases. Mystery stories encourage audiences to uncover clues alongside the characters.
Science fiction explores futuristic technology, space travel, artificial intelligence, alternate realities, and scientific speculation.
Horror storytelling creates suspense through psychological tension, supernatural events, monsters, or survival scenarios.
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Animation includes works for children, families, and adults, ranging from educational content to complex dramatic storytelling.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.