Dear Zachary: A Letter to a Son About His Father

Good movie!

Good movie!

Good movie!

Good movie!

source: Dear Zachary: A Letter to a Son About His Father

First of all, I am friends with the parents of the doctor who was murdered by his ex-lover. This documentary was made by a friend of the victim, with whom he grew up, and who is a respected filmmaker in his own right. The miscarriage of justice in attempting to extradite (from Canada to the U.S.) the woman who murdered the doctor is difficult enough to comprehend, but there are yet other complicating factors, such as her having her victim's baby and the attempts of the baby's grandparents (parents of the victim) to obtain custody of the baby. The film is staggering, and the filmmaker does not spare the viewer's emotions. It is brilliantly filmed and edited. The movie was premiered in the U.S. at the Slamdance Film Festival in Utah, then showed in San Jose, CA at the Cinequest, and is going on to the South by Southwest Festival in Texas. If you have a chance, check out this film--it's not particularly uplifting, but it portrays a very real problem with our justice system, not only Canada's.

Voyeurism is a funny thing. Watching other people's little dramas or lives may seem boring at the outset, but often times it can be just as interesting, if not more so, than anything a big studio can come up with. With "Dear Zachary: A Letter to a Son About His Father," we as an audience get a glimpse into a man that we otherwise would never have known. And after viewing this film, I have to graciously thank writer/director Kurt Kuenne for this. After the murder of his lifelong best friend, Dr. Andrew Bagby, filmmaker Kurt Kuenne decided to go and interview everyone who knew Andrew in order to give his late friend's soon-to-be born son a way to know his father. But unbeknownst to anyone, this film would turn into something completely different. Reviewing this film is difficult. For one thing, no one had any idea where this film was going (Kuenne, who narrates, openly admits this, although no one could possibly imagine what was going to happen). But more importantly, this film has something that many films don't: passion. It has a voice. This film will make you laugh, cry, scream in both terror and anger, and so much more. Even the most politically, one-sided films do not speak to the viewer like this film. In that sense, this film is a masterpiece. But, on a critical scale, it comes up a little short. For me, the most effective bits were the interviews about Andrew. Those were funny and touching. Even if it added a few extra minutes to the running time, it would have been worth it. I felt like I could have watched a whole day's worth of interviews about Andrew. But the film gets into the struggle between Shirley Turner, Andrew's ex-girlfriend and probable murderer and Andrew's parents, who are trying to seek custody Andrew's son, Zachary. The film sort of loses focus at times, and it really inhibits Kuenne's goal in letting us know who Andrew was. At the end, it almost seems like a piece of propaganda (see the movie and you'll understand). Judging by what happens, this isn't necessarily a bad thing, but still. Of minor note, the film only shows the good things about Andrew. Not that Kuenne turns him into some sort of flawless figure (Bagby does that himself), but it would have made Bagby seem more well-rounded. Yet I wholeheartedly recommend this film. It introduces us to a wonderful person, and his name was Andrew Bagby.

I got so many good reviews and recommendation by a lot of people in reddit so I have to watch this. In the end, it looks like a very good doc.. until mid of movie. I lost interest in the story because it is mostly personal view of director and their friends. I don't have feeling of rooting for victim because it's too much story from grand dad and grand mom. It is more like an advertiser for their book.

Wow, I certainly wasn't expecting it to be this overwhelming. It's the emotional equivalent of having your head kicked in against the curb. I thought I knew where the story was going but I couldn't shake the sense of sinister dread. I didn't think the story could get any bleaker but then... Maybe I'm doing it a disservice but I would strongly recommend this film to anyone who isn't in an already too fragile state. Because once you invest your own emotions in the story, you are screwed - within minutes I went from sad to angry to shocked and depressed and back and forth etc. That's quite an achievement. Yes, the film is flawed but you know what? I don't mind that films are flawed, it's the emotional punch that I'm going for. The film is made by someone on a mission (albeit a confused one at times) but the end result is a film that is raw and intimate. Oh, there is a special place reserved in heaven for all the Bagbys. And a special place in hell for the murderer and the judge who set the murderer loose.

It makes me sad to see people criticizing "Dear Zachary: A Letter to a Son About His Father" for its technical limitations. I rented knowing only it was about a pregnant woman who killed her ex-boyfriend, the subsequent plight of the victim's parents and their agonizing efforts to win the custody of their grandson, Zachary (whose mother was released on bail). But the whole story is so unpredictable - and devastatingly sad - that the less you know about it, the better. Writer/director/producer/composer Kurt Kuenne was a close friend of Dr. Andrew Bagby, who was killed by a psychotic woman, "Dr." Shirley Turner, right after he had broken up with her. He decided to make a final film with his childhood friend Andrew, and when they learned Shirley was pregnant with Andrew's baby, whom she named Zachary, it became more than a tribute to a friend, but a project to show Zachary the father he would never get to know. With Shirley at large, however, their nightmare wasn't over. With such a tough, emotional subject, it would be easy to get overtly sentimental, but Kuenne does a terrific job. The film is obviously a very personal project, and visibly no-budget, but that's not an issue because this is not a film meant to be visibly stunning. Apparently, some people are way too cynical to appreciate a film for its heart and content rather than focusing on its aesthetics and "artiness". It had a much bigger effect on me than the last Oscar winner for Best Documentary, "Man on Wire" (a fine film itself). Had this film been directed by, say, Michael Moore, it would have been more incendiary and garnered larger media attention, but wouldn't have been half as passionate, compelling and, most important, honest. Kuenne uses the cinematic tool to document history, make a tribute for beloved friends (not only Andrew and little Zachary, but also Andrew's parents, David and Kathleen, the emotional core of this story) and to instigate the audience, both emotionally and intellectually. When most movies that get a wide release don't even attempt either of these goals, this is a remarkable achievement. Not to be missed. 10/10.