Trinadha Rao Nakkina
as Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The action film Dhamaka, starring Ravi Teja, Sreeleela, Jayaram, etc., directed by Trinadha Rao Nakkina, was released on December 23, 2022 in India. It tells the story of Swamy and Anand who look exactly the same, come from different backgrounds. Under dicey circumstances Pranavi, a young and pretty girl falls in love with both of them. How will Swamy and Anand solve their problems. This is an Action, Comedy, Thriller film with a runtime of 144 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.1/10 from 5,575 viewers.
Trinadha Rao Nakkina
as Director
Ravi Teja
as Swami
Ravi Teja
as Anand Chakravarthy
Sreeleela
as Pranavi Reddy
Jayaram
as JP
Sachin Khedekar
as Nanda Gopal Chakravarthy
Tanikella Bharani
as Vasudeva Rao
Rao Ramesh
as Ramesh Reddy
Chirag Jani
as Atharva
Mohammad Ali
as JP's worker
Raghu Babu
as Goon
Mahaboob Basha
as Employee(saviour)
Krishna Bhagavaan
as Diaper Company MD
Kiriti Dharmaraju
as Subbu's Fiancé
Pavitra Lokesh
as Devaki
Md Minhaj Miah
as Ushan
Mounika
as Subbu - Swami's Sister
Rajashree Nair
as Pranavi's Mother
Prasanna Kumar Bezawada
as Writer
Sai Krishna Biyyapu
as Writer
Trinadha Rao Nakkina
as Writer
Availability may vary by country, language, and release window. Some titles are included with platform subscriptions, while others may require rental, purchase, or app-based access. Streaming catalogs and licensing agreements are updated regularly, so playback options can change over time. For the most accurate viewing experience, check the latest listing on your selected service and confirm regional support, subtitle options, and device compatibility before starting.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
Download the latest MovieBox packages for mobile, FM builds, and TV-compatible APK versions. Choose the package that matches your device and region, then follow the official install guide for best compatibility and security.
Nothing new and interesting about the movie.... The same old similar plot, mixed, unnecessary masala songs,no gripping story, the movie only has lots of fighting scenes, dialogues... The movie is very boring, and the only thing is good is dual character one man.. unwanted songs, over fights, poor story line, the same similar content .. the direction is very poor, nothing is good,are noticeable ,or interesting don't waste your time watching this type of dumb, stupid, movie .. the rating should be below 7 or 6 star , how people rate this movie above 7 star ,the movie is overrated... Not recommended at all...
A helpful movie for doctors! If they need to inflict pain externally, make the patients see this movie! Where do I start? Say the cons: 1. "6 days ladki in" concept to too stale; the new trend is "find a girl that needs help, for her to flirt with you and then save her" easy-peasy. 2. The hero gets hit on the back of the head and bleeds like crazy - no bandage, no recovery time, but still had a band-aid on the forehead for a minor scratch. WOW! (the bruises on the neck are still red like fresh ones - he is GOD) 3. This was like a "Jabardast Movie." No dialogue in the script, just punchlines. It's understandable if the hero had a few punchlines, but the entire script had "only punchlines with a salt of proper conversational dialogues" for the hero, heroine, mother, father, sister, villain, and dam, even the comedian (well, this one is an exception) roles! 4. Seroiasly an outdated pattern - hero entry, fight, song, heroine entry, song, fight, sing, a savior moment, song, fight, prefinal song, grand fight, epic "WOW" revealing twist (I mean, who didn't know the brother was the villain too - dint the extremely ungroomed beard pass the bad-vibe check ?) 5. OH MY GOD, I don't even want to talk about the poor acting of the heroine, but the worst part was an epically failed lip sync and annoying dubbing artist voice. The only pro in this movie: is "open relationships" From when did people not know how progressive a Telugu movie could be - the heroine dates two guys at the same time, and her mom makes it sound "funny". WOW (she dint know that it was the same person until much later) Common people what next ENMs (Ethically non-monogamy(? I am impresses. Wink wink.
Mass maharaja come back movie after a few flops,his style,swag and dialect with mesmerising foot tap numbers carries the movie single handedly... With base plot having some substance in it,director does remaining part with a clear screenplay woven fine with twists and turns keeping audience hooked... Other lead actors did their portion well but it's Hyper aadhi who steals the show with his flawless dialogue and one-liners along with Rao Ramesh elevating the scenes to a new level of wholesome entertainment...A big round of applause for the duo keeping entertained well...what else a neat family entertainer after a row of offbeat cinemas to churn ur weekend entertainment.
Srileela is a great find for Telugu film industry. She dances like a dream. We all know how good a dancer Sai Pallavi is. But Srileela is the new superstar who will set the stage on fire if you give her chartbuster songs to dance. Raviteja never runs out of energy. I can't believe he's able to deliver time and again even with poor scripts. He's one underdog who always comes back strong. An inspiration for next generation actors. This movie is watchable only for songs. The villains are silly and stupid just want to kill the high performing corporate CEOs who are not ready to sell their company. Shows the IQ of the Director. No logic only songs magic.
Raviteja is synonym of energy in tollywood's dictionary. Directors design the character from start to end to keep upto that. This Dhamaka is no exception. First half was kept intact with the parallel storylines. The heroine's character held the parallel paths together and added fine flavor to enhance the depth of the story. Second half opened upto the reveal of the twist and thus the scenes will lead us into a known path without any suspense pending. From then on Hero took the responsibility onto his shoulders till end. Although the loose ends wound up pretty quickly at the same time, the scenes didn't made us to stick to our seats. The role is nothing but a cake walk for Raviteja and heroine didn't disappoint too, within her limited scope of character. The supporting roles have done their part with nothing to point out.
Man. I don't know where to start. The direction was impressive. The acting was just too good. The comedy in the movie is just lovely. The fights is a plus point. The songs were too many but all of them were really good. The BGM worked everywhere. Hyper Adi's punch lines are so good that you will laugh no matter what! This movie is made for fans of Ravi Teja and other normal film audience may not like the movie but for Telugu Audience it is a Festival! The twists in the movie gives a shock to the audience and its unpredictable. The story is average. Could have improved the story. But Ravi Teja's Acting as Swami and Anand is too Good. I would suggest to watch it at home if you are Normal audiece, but Ravi Teja's Fans, please book the tickets and rush to the Theaters!!!
Ravi Teja gets to play mass & class roles, the only he knows to enact. SreeLeela gets to showcase her dancing skills. Jayaram gets to play the dumb villain while Sachin Khedekar gets to play the rich helpless dad and Tanikella Bharani plays the same role he has been playing for decades. Then there is Rao Ramesh for the sake of forced comedy scenes because he is known to pull them off on his own. The makers know well that a plausible story is the last thing they want in their commercial potboiler. Just a couple of dance numbers, an half a dozen fight scenes are the other known main ingredients of this masala fare. Needless to say there is nothing to talk about the story and the screenplay, irrespective of how illogical it is. Even if you don't nitpick on it, this rehashed AVPL, barely entertains. Every time a silly comedy scene carries the movie forward, comes an even sillier scene to elevate the hero. The twists make as much sense as the explanation for Ravi Teja's dual characters - Swami and Anand. With routine action blocks, Ravi Teja lives upto his title to give it his all for this role to entertain. But there is only so much of Ravi Teja madness one can tolerate in such mindless films.
Nee ayya,, worst movie, lucky did not watch in theaters, even hard to see in ott . Not joking nor critising , but where is the story. Surprise that Producers claimed 100 Cr collection. Honestly speaking Krack was way better movie. Ravi teja lost his track, Fair enough he is trying to make money, but could least picked good stories to keep his fans faith in him. Besides evey characters in this movie did way better OVER ACTING. Haha Aadi ,, he has become attitude character artist. Songs choreography copied from Ala Vaikuntapuramlo. And. Sarocharu movies. Well Honestly once watch only if you cant find any other movie or cant find any Korean good movie.
Movie is just the worst one. Same old routine story with silly scenes and over the top dialogues. Songs which Sreeleela is part of are good and her dancing skills are excellent. Movie is just the worst one. Same old routine story with silly scenes and over the top dialogues. Songs which Sreeleela is part of are good and her dancing skills are excellent. Movie is just the worst one. Same old routine story with silly scenes and over the top dialogues. Songs which Sreeleela is part of are good and her dancing skills are excellent. Movie is just the worst one. Same old routine story with silly scenes and over the top dialogues. Songs which Sreeleela is part of are good and her dancing skills are excellent.
Same routine plot of ala vaikunthapuram lo. There is absolutely nothing i am saying absolutely nothing in the movie. Every character in the movie are over actors mostly including Raviteja and sreelela. I just want to say one thing pathetic, cheap, worst, rubbish, childish and yuck movie. Worst screenplay,worst direction,worst acting of sreeleela and raviteja,all overacting characters,illogical and unrealistic scenes, non-sync dialogues, worst songs(only two songs are nice), and i liked fun between Rao Ramesh and hyper aadhi. Other than that my god , i am telling you, you will feel vomit after seen. THE MOST CRINGEST MOVIE IN RECENT TIMES. Recent times means since i born (2001) Thoo....
A detailed breakdown of recent pricing changes, why users are reconsidering their watch setup, and how to evaluate an alternative workflow without losing your discovery habits.
Learn the right flow to install Movie Box APK: version basics first, then clean installation steps, and finally how to choose among TV, iOS, Web, and app usage paths.
A long-form review covering why Project Hail Mary stands out in 2026: adaptation quality, scientific storytelling, emotional depth, and audience reactions.
Comedy stories are designed to entertain through humor. Popular formats include situational comedy, sketch-style humor, workplace comedy, and romantic comedy.
Action titles emphasize excitement, physical conflict, heroic characters, and fast-paced storytelling. Adventure titles often feature exploration, survival, or epic journeys.
Crime dramas follow investigators, detectives, lawyers, or journalists as they solve criminal cases. Mystery stories encourage audiences to uncover clues alongside the characters.
Science fiction explores futuristic technology, space travel, artificial intelligence, alternate realities, and scientific speculation.
Horror storytelling creates suspense through psychological tension, supernatural events, monsters, or survival scenarios.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.
Animation includes works for children, families, and adults, ranging from educational content to complex dramatic storytelling.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.