Samantha Nell
as Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The comedy film Do Your Worst, starring Shannon Esra, Kate Liquorish, Wayne Van Rooyen, etc., directed by Samantha Nell, was released on March 10, 2023 in South Africa. It tells the story of Regret and redemption take center stage as Sondra, struggling actor and professional mess, faces the consequences of a lifetime of her own bad decisions. This is a Comedy, Drama, Romance film with a runtime of 91 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.5/10 from 188 viewers.
Samantha Nell
as Director
Shannon Esra
as Sondra
Kate Liquorish
as Carla
Wayne Van Rooyen
as Grant
Rea Rangaka
as Jerry
Sharon Spiegel Wagner
as Raquel
Dorothy Ann Gould
as Mommy
James Borthwick
as Dad
Ayanda Seoka
as Nomvula
Khosi Mkhonza
as Rea
Sage Hlaodi
as Mikayla
Claudine Ullman
as Miriam
Caleb Sauls
as Levi
Sam Medupe
as Priest
Jefferson Tshabalala
as Commercials Director
Duane Behrens
as Apollo
Nomalanga Nkosi
as Thandeka
Ben Tjibe
as Male Neandethal
Richard Gau
as Diego
Sonia Esguiera
as Writer
Zoë Laband
as Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
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Good movie!
Good movie!
Good movie!
Good movie!
source: Do Your Worst
One of the worst problems in romcoms is the 'quirky' heroine - inevitably a perfect person with one or two so called flaws introduced just to make her more relatable. In contrast, Sondra, the protagonist here, is flat out terrible. She seems self obsessed and self deluded at the same time - it's a tribute to the lead actress's skill and charm that she makes Sondra somewhat likeable or atleast someone you can root for. I also liked the relationship between Sondra and Carla, low-key toxic though it is. Like a real life friendship, they love each other deeply but loathe each other at times. They feed into each other's energy and are similarly self obsessed - it was interesting to me that Carla forgives Sondra so fast, because I think the director wanted to show that they are each other's companions and sisters for life. Their relationship is flawed but strong. There are many things the director's underlined in the film - how letting go and planning your life afresh after a certain age is difficult, parental anxieties and tantrums, how temporary fame can spoil your life in the longterm. There's a vulnerability in the underlying message. I wish they had not gone through the compulsory happy ending but shown how Sondra accepts her life instead. I think the idealized ending took away from the impact of the film somewhat.
😇😇
One of the worst problems in romcoms is the 'quirky' heroine - inevitably a perfect person with one or two so called flaws introduced just to make her more relatable. In contrast, Sondra, the protagonist here, is flat out terrible. She seems self obsessed and self deluded at the same time - it's a tribute to the lead actress's skill and charm that she makes Sondra somewhat likeable or atleast someone you can root for. I also liked the relationship between Sondra and Carla, low-key toxic though it is. Like a real life friendship, they love each other deeply but loathe each other at times. They feed into each other's energy and are similarly self obsessed - it was interesting to me that Carla forgives Sondra so fast, because I think the director wanted to show that they are each other's companions and sisters for life. Their relationship is flawed but strong. There are many things the director's underlined in the film - how letting go and planning your life afresh after a certain age is difficult, parental anxieties and tantrums, how temporary fame can spoil your life in the longterm. There's a vulnerability in the underlying message. I wish they had not gone through the compulsory happy ending but shown how Sondra accepts her life instead. I think the idealized ending took away from the impact of the film somewhat.
source: Do Your Worst
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Comedy stories are designed to entertain through humor. Popular formats include situational comedy, sketch-style humor, workplace comedy, and romantic comedy.
Action titles emphasize excitement, physical conflict, heroic characters, and fast-paced storytelling. Adventure titles often feature exploration, survival, or epic journeys.
Crime dramas follow investigators, detectives, lawyers, or journalists as they solve criminal cases. Mystery stories encourage audiences to uncover clues alongside the characters.
Science fiction explores futuristic technology, space travel, artificial intelligence, alternate realities, and scientific speculation.
Horror storytelling creates suspense through psychological tension, supernatural events, monsters, or survival scenarios.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.
Animation includes works for children, families, and adults, ranging from educational content to complex dramatic storytelling.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.