Kazuaki Imai
as Director
The anime film Doraemon: Nobita's Treasure Island, starring Wasabi Mizuta, Megumi Ohara, Yumi Kakazu, etc., directed by Kazuaki Imai, was released on February 10, 2019 in Japan. It tells the story of Upon hearing about the story of Treasure Island, Nobita dreams of discovering and exploring his own treasure island, despite the fact all of the Earth has been mapped already. This is an Anime, Adventure, Comedy film with a runtime of 108 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.7/10 from 1,503 viewers.
Kazuaki Imai
as Director
Wasabi Mizuta
as Doraemon
Megumi Ohara
as Nobita
Yumi Kakazu
as Shizuka
Subaru Kimura
as Gian
Tomokazu Seki
as Suneo
Juri Aikawa
as Mini-Dora
Fumiko Orikasa
as Sarah
Daiki Yamashita
as Flock
Aoi Yûki
as Quiz
Ryûzaburô Ôtomo
as Gaga
Yô Ôizumi
as Captain Silver
Saori Hayami
as Vivi
Shihoko Hagino
as Dekisugi
Shin Ha-kyun
as Darkness Doraemon
Lee Jung-jae
as Kevin
Yum Jung-ah
as Luca
Song Hye-Kyo
as Luna
Park Ji-yun
as Cancer
Genki Kawamura
as Writer
Sung-bo Shim
as Writer
Fujio F. Fujiko
as Writer
Kazuaki Imai
as Writer
Robert Louis Stevenson
as Writer
Availability may vary by country, language, and release window. Some titles are included with platform subscriptions, while others may require rental, purchase, or app-based access. Streaming catalogs and licensing agreements are updated regularly, so playback options can change over time. For the most accurate viewing experience, check the latest listing on your selected service and confirm regional support, subtitle options, and device compatibility before starting.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
Download the latest MovieBox packages for mobile, FM builds, and TV-compatible APK versions. Choose the package that matches your device and region, then follow the official install guide for best compatibility and security.
Telugu
Good movie!
please post your movie Doraemon full movie
In this movie, Nobita and his friends encounter pirates while searching for treasure out at sea (not to be confused with Nobita's Great Adventure in the South Seas, where they also did that). In general, I think this one is pretty good. Gian and Suneo get to do something cool. The Mini Doras have a lot of screentime, which is usually a plus. Quiz the robot parrot, who speaks in riddles, is a fun character. However, I have one major issue with this movie: the fact that about half of it is taken up by an overdone "Shizuka gets kidnapped" subplot. Not only that, but relative to the amount of time spent on it, this may be the most poorly executed arc of its kind in the Doraemon movies so far. First of all, the reason given for why Shizuka gets kidnapped is frankly very silly. It's because the pirates mistake her for their captain's daughter, Sarah, who supposedly looks a lot like Shizuka... except the two of them have completely different hair and eye colors. Both this and the fact that Shizuka doesn't seem to know any of her kidnappers should have tipped the pirates off to their mistake, but they never properly catch on. Furthermore, when we meet Sarah herself, there's absolutely no indication that she has a history of getting lost or running away, making it even more of a stretch for these pirates to immediately assume that she was the same person as this frightened, dark-haired girl that they encountered on a random ship. (One pirate does point out the hair color discrepancy, only to be hastily brushed aside.) In addition, to facilitate this kidnapping, the filmmakers invoke Shizuka's disappearing weapon. Right before she is captured, the protagonists are engaged in heated combat against the pirates that have boarded their ship, during which everyone, including Shizuka, is clearly wielding a weapon. We even see Shizuka use hers (the Reversal Cape, to be specific). Yet in the scene where she gets kidnapped, she is suddenly left defenseless on the deck, with no explanation for what happened to her gadget. Okay, let's pretend that the reasoning for and circumstances around the kidnapping do make sense. It could at least serve an important narrative purpose, right? Maybe it motivates the other main characters to go after the pirates, starting a new chapter in their adventure... Well, it does, but this turns out to be unnecessary. Shortly after Shizuka is kidnapped, the protagonists rescue a boy lost at sea, who turns out to be Sarah's brother, Flock. Having left the pirate crew himself, Flock also hopes to give his sister a chance to escape. That alone probably would have provided more than enough reason for the main characters to help track down the pirates, as it's unlikely (at least in the movies) that Nobita and his friends would turn down the chance to help another kid who is in need. All right, but maybe Shizuka could make some valuable contributions by being among the pirates. Perhaps her bonding with Sarah becomes significant- Hmm, not really. Sarah is pretty much on the same page as her brother from the beginning. Well then, maybe Shizuka can use an outsider's perspective to help convince the main antagonist not to follow through with his plan- Uh, nope, that doesn't happen either. There's even a scene where she is the only one present in the same room as the main antagonist, but nothing of that sort plays out. The most plot-relevant thing Shizuka does in this movie (helping Nobita save Doraemon from being trapped inside an energy ball) occurs after she is already reunited with the others, so I am really struggling to see the point of the kidnapping subplot here. To end on a positive note, I do like this movie's ending song. It has an unusual style for a Doraemon song, but it's got character, and I don't hate that it's become the current opening theme for the regular Doraemon anime series.
A detailed breakdown of recent pricing changes, why users are reconsidering their watch setup, and how to evaluate an alternative workflow without losing your discovery habits.
Learn the right flow to install Movie Box APK: version basics first, then clean installation steps, and finally how to choose among TV, iOS, Web, and app usage paths.
A long-form review covering why Project Hail Mary stands out in 2026: adaptation quality, scientific storytelling, emotional depth, and audience reactions.
Comedy stories are designed to entertain through humor. Popular formats include situational comedy, sketch-style humor, workplace comedy, and romantic comedy.
Action titles emphasize excitement, physical conflict, heroic characters, and fast-paced storytelling. Adventure titles often feature exploration, survival, or epic journeys.
Crime dramas follow investigators, detectives, lawyers, or journalists as they solve criminal cases. Mystery stories encourage audiences to uncover clues alongside the characters.
Science fiction explores futuristic technology, space travel, artificial intelligence, alternate realities, and scientific speculation.
Horror storytelling creates suspense through psychological tension, supernatural events, monsters, or survival scenarios.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.
Animation includes works for children, families, and adults, ranging from educational content to complex dramatic storytelling.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.