Julia Louis-Dreyfus
as Billie
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The comedy film Downhill, starring Julia Louis-Dreyfus, Will Ferrell, Zach Woods, etc., directed by an unlisted director, was released on February 14, 2020 in the United States. It tells the story of Barely escaping an avalanche during a family ski vacation in the Alps, a married couple is thrown into disarray as they are forced to reevaluate their lives and how they feel about each other. This is a Comedy, Drama film with a runtime of 86 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.9/10 from 14,581 viewers.
Julia Louis-Dreyfus
as Billie
Will Ferrell
as Pete
Zach Woods
as Zach
Zoe Chao
as Rosie
Miranda Otto
as Charlotte
Giulio Berruti
as Guglielmo
Julian Grey
as Finn
Ammon Jacob Ford
as Emerson
Kristofer Hivju
as Michel
Alex Macqueen
as Charlie
Kimberly Rydell
as Bar Woman
Ruth Brauer
as Heli Ski Employee
Nadiv Molcho
as German Snowboarder
Ferdinand Ramml
as Photographer
Uli Richter
as Good-Looking Bar Guy
Ramneet Dass
as Man
Meghna Surya
as Woman
Caroline Mercedes Hochfelner
as Alpine Slide Employee
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
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Good movie!
Good movie!
Good movie!
source: Downhill
Julia Louis-Dreyfus is so irritating that I don't know if I can watch an episode of Seinfeld again. I'm concerned that I will see traces of this performance in Elaine. I almost left about a third of the way into the movie, but the cinematography was excellent (the source of my two stars), and I miss living in an area with snow and skiing. Will Ferrell's affect was as flat as an envelope. I think that Will Farrell's character was intended to be that of a man struggling to show emotion and begin to put energy into his marriage. Even at the end of the movie, I can't imagine Will's character ever looking any different. There was no sign of change or grown throughout the movie. Julia's character comes off as something of a shrew, and I found her unsympathetic. I did not find the boys' roles in the movie to be of interest. They were props more than characters. This movie was terrible.
It's called DownHill for a reason. Absolutely the worst movie I have ever seen. I wish I had read a review before seeing this. Every minute is excruciatingly awkward and uncomfortable.
Joyless and boring. I couldn't wait for it to end.
I thought this was a comedy. It is not. Also, it is not a drama. It's like watching a home movie with two people who don't really love, or like, each other very much. And then nothing happens. Two of my favorite comedic actors are in this bucket of boredom and that makes me sad.
As the other user review suggested, this film has already been made, it's called "Force Majeure" and it's outstanding. It's a complete ripoff of "Force Majeure" without any apoligies. "Downhill" lacks the character and emotional depth of "Force Majeure", plus it's sorely miscast in every way. If you're at all interested in "Downhill", do yourself a favor and watch "Force Majeure" instead.
I was interested in seeing this film because I love Julie Louis Dreyfus' acting and Jessie Armstrong's writing. To be fair I'm not a fan of Will Ferrell but I thought with a good leading lady, good writing and a wonderful story..how can you go wrong?? Boy did it go wrong. Boring dialogue, slow and tedious, bad acting (Will Ferrell) and no real story. It was neither a comedy or a drama. If it was intended to be both it failed on each front. The intended comedic/dramatic lines were dull and pedestrian. Although I'm not giving up on Ms. Dreyfus or Jessie Armstrong's genius, I'd recommend just skipping this one.
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Comedy stories are designed to entertain through humor. Popular formats include situational comedy, sketch-style humor, workplace comedy, and romantic comedy.
Action titles emphasize excitement, physical conflict, heroic characters, and fast-paced storytelling. Adventure titles often feature exploration, survival, or epic journeys.
Crime dramas follow investigators, detectives, lawyers, or journalists as they solve criminal cases. Mystery stories encourage audiences to uncover clues alongside the characters.
Science fiction explores futuristic technology, space travel, artificial intelligence, alternate realities, and scientific speculation.
Horror storytelling creates suspense through psychological tension, supernatural events, monsters, or survival scenarios.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.
Animation includes works for children, families, and adults, ranging from educational content to complex dramatic storytelling.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.