Benedict Cumberbatch
as Vincent
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The TV series Eric, created by an unlisted creator and produced by an unlisted studio, first premiered on May 30, 2024 in the United Kingdom. The series spans 1 season with 6 episodes, featuring the voices of Benedict Cumberbatch, Gaby Hoffmann, Ivan Morris Howe, and Dan Fogler. It follows the story of Vincent, a grief-stricken father whose son goes missing, finds solace through his friendship with Eric, the monster that lives under Edgar's bed. This is a Crime, Drama, Thriller series and has received a rating of 6.9/10 from 42,462 viewers.
Benedict Cumberbatch
as Vincent
Benedict Cumberbatch
as Eric
Gaby Hoffmann
as Cassie
Ivan Morris Howe
as Edgar
Dan Fogler
as Lennie
José Pimentão
as Sebastian
McKinley Belcher III
as Ledroit
Bamar Kane
as Yuusuf
David Denman
as Cripp
Jeff Hephner
as Costello
Wade Allain-Marcus
as Gator
Wade Allain-Marcus
as Alexander Gator
Donald Sage Mackay
as Jerry
Ioachim Ciobanu
as Misha
Erika Soto
as Tina
Adepero Oduye
as Cecile
Roberta Colindrez
as Ronnie
John Doman
as Robert
Chloe Claudel
as Ellis
Clarke Peters
as George
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
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great
There are so many things done incorrectly in this show that have made it such a mess. I believe the overall main story is quite good and could have been a big hit but it fails due to two major reasons: 1. Too Many Side Stories: the main subject here is a father who is trying to find his lost son using a puppet that his son has created. That's where the title of the show comes from. This is what the focus of the show should be on. However, so many irrelevant and uninteresting subplots are added that make it hard to appreciate the relationship between the father and Eric. For example, what was the point of the detective's old and sick boyfriend who dies after 4 episodes and has nothing to do with the story or even the detective's character development. Actually, his personal life is so irrelevant and uninteresting and doesn't add any depth to the story. Even his being gay. 2. Very Slow Pacing: at times it gets really annoying how slowly everything occurs. I think one episode worth of runtime could have been cut. Why does it take the detective so long to watch the CCTVs?! Episode 3 takes place one week after the disappearance and yet he hasn't watched the first 50 seconds after Edgar leaves the apartment. Moreover, the episodes, especially the first three, do not provide enough information. What has actually happened to Edgar and what he is doing should have been revealed much sooner, probably at the end of episode two. Same with the father's personal search for Edgar. Benedict Cumberbatch's performance is probably the only thing in the show that is great from start to finish. His fight with Eric in the final episode was the only scene in the whole show I found fascinating. Everything else is a let down. The story of the 14 yo kid is also interesting and a nice add but I think it is not shown in the best way which lowers the effect of it. All in all, there some good ideas displayed in Eric; the relationship of a father and his son that leads to him running away, the father's struggles after that, the creation of Eric in the father's mind, and the story of an African American kid been killed by the police. If the focus of the show was completely on these concepts and everything else was put aside and the storytelling was improved, I think we would have witnessed much higher ratings and more positive reviews here. A short note on the bad storytelling; one major issue here is supposed to be the fact that in the kid's eyes, the real monster is his dad based on his behavior but that's not what is shown in the beginning. Their relationship seems very good and they have great with each other. Also, if this is in fact the main issue, then adding another big one like the coverup of the murder of an African American kid by authorities is a mistake. The show is indeed a mess in storytelling. It's like the writers had 5 important but different issues to display and made a mess in combining them. It is really such a shame that they didn't stick with the first priority and wasted such good performance by Cumberbatch in such messy show.
awesome
I just completed watching this limited series and I'm left a bit confused. Most every character in this series is unlikable. The only likable characters are the cop who investigates the missing kids, the kid himself, and the homeless graffiti artist that helps the kid. Every other character in this series is either Bland or completely unlikable. The storyline also doesn't make sense where is the correlation between the two missing kids their stories are completely different and they don't disappear under similar circumstances at all. I don't understand how they tied these two stories together because there's no common thread. Only in the very last episode do we see any kind of redemption of one of the main characters other than that I find the writing to be kind of weak and disjointed and convoluted. Though I will say that the acting in this series is really good it's just the writing and the storyline that detracts.
must watch
don't miss good
all is good for living safely ☺️
eric
No. First off, there are spoilers below. FYI The only thing to root for in this is the safe return of the boy, which, despite all the grim signs, actually happens. Other than that it's a bizarre landscape populated by a bunch of detestable personalities. Cumberbatch is as skillful as always. But the plot, a liberal mess that promotes saving all the "unhoused" and devotes half of the series' running time to a gay coming out story, treats all of its players as horrible people. Even the hallucinatory puppet companion is a foul mouthed jerk. Which I guess shouldn't be surprising since he's borne out of Cumberbatch's nasty character's imagination. The spouse is a shrew, the coworkers are either unsympathetic jerks, or sex traffickers. Not kidding. The only (slightly) redeeming character is the homeless dude who kidnapped the kid. Wait, what? Technically the boy ran away, but when an adult is aware that a child is missing and doesn't turn him over to the parents that's technically kidnapping. Yeah that's it in a nutshell. I continue to be amazed at what Hollywood produces.
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Comedy stories are designed to entertain through humor. Popular formats include situational comedy, sketch-style humor, workplace comedy, and romantic comedy.
Action titles emphasize excitement, physical conflict, heroic characters, and fast-paced storytelling. Adventure titles often feature exploration, survival, or epic journeys.
Crime dramas follow investigators, detectives, lawyers, or journalists as they solve criminal cases. Mystery stories encourage audiences to uncover clues alongside the characters.
Science fiction explores futuristic technology, space travel, artificial intelligence, alternate realities, and scientific speculation.
Horror storytelling creates suspense through psychological tension, supernatural events, monsters, or survival scenarios.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.
Animation includes works for children, families, and adults, ranging from educational content to complex dramatic storytelling.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.