Ben Kent
as Director
English,Filipino,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The action film Fubar, starring Mark Heap, Sean Verey, Danny Kirrane, etc., directed by Ben Kent, was released on December 7, 2020 in the United Kingdom. It tells the story of when a hopeless stag party goes on a mock zombie survival weekend, an unfortunate turn of events leave them fighting for their lives. This is an Action, Comedy, Horror film with a runtime of 85 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.8/10 from 850 viewers.
Ben Kent
as Director
Mark Heap
as Gerald
Sean Verey
as Sam
Danny Kirrane
as Eric
David Mumeni
as Toby
Timothy Renouf
as Myles
Perry Fitzpatrick
as Cheese
Ewen MacIntosh
as Al
Jake Abbott
as Brandon
Angie Adler
as Gibbs
Luing Andrews
as Dowie
Nick Bartlett
as McGoldrick
Tim Faraday
as Sergeant Marshall
Daniel Godward
as Cabin Owner
Kiki Kendrick
as Diamond
Sean Lerwill
as Campbell
Henry Lewis
as Merrick
Jared Rogers
as Perkins
Joshua Samuels
as Gatling
Ben Kent
as Writer
Joel Wilenius
as Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
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Loved this. Really got into it. I didn't check the time once as could not take my eyes off the screen. Love British lower budget films they are usually so good. No computer messing about which is great.
Not even Mark Heap can save this film. Terrible acting throughout. A ridiculous plot would be passable if the film was funny, but it isn't. You can see the "gags" coming a mile off, and the "bad guys" are seemingly a crowd of random security guards they got in on the cheap. Maybe with a bigger budget, and a half-decent script, it might have been an OK film. Also, stuffing a cloth into someone's mouth while not actually gagging them or tying something around it, will usually fail, so why the fella doesn't just open his mouth and spit it out is beyond me.
This is a briskly-paced, fitfully amusing, luridly lad-magged British Zomcom with a terrifically titter-inducing twist. The noisome 'Mock-zom' action centring on an amusingly expletive prone group of disparate sitcom sardonic archetypes who find themselves on an increasingly boisterous, mishap-infected stag weekend in the country. Their elaborate Zombie-themed paintball escapades disturbingly take on a deliciously wrong-headed turn after these hapless, part-time paintballers accidentally kill one of the shambling, ill-painted, psychotically distempered faux-zombies for real, thereby hysterically helter-skeltering this bucolic, gag-infested, backwoods barmy B-Movie to a gallopingly grisly, suburban twits hit the fan, goo-flinging, Crossbow-swinging, fright-flocked finale! While 'Killer Weekend' is a somewhat derivative low-budget feature it nonetheless still proved to be an awesomeballs horror comedy, colourfully enlivened with some quality bants, zesty acting from a clearly game, 'give-it-a-go' cast, and, while, perhaps, not quite on par with blood-drenched Brit-Cult classics 'Severance', or 'Doghouse', it finally won me over with its rough-hewn charm, boundless enthusiasm, and splendidly splattery, far from stagnant silliness!
If you're an adult whose seen a few movies, you've almost certainly seen a better version of this film. If you can accept that, you might get a few laughs and some mild entertainment out of this. The characterisation is poor - too many indistinct characters and alot of the ones you do remember are annoying and derivative. The script has quite a few "do people really talk like that?" isms but some effective plot twists, snappy editing, well framed shots and even the odd funny joke mean it flies by quicker than it really ought to. Plus it's against the laws of God and man to totally hate something that features Mark Heap this heavily.
The writers seem to be fans of "Very Bad Things," which is a very bad movie. This one is somewhat similarly mean-spirited, but in a classy British way. It was good on the character side and had some decent plot twists. Some of the good jokes are subtle, requiring close attention. Others, though, are not subtle at all -- and more delicate viewers might regret having seen. It seems to have many titles. The one I saw was "Game Over."
I could watch Mark Heap read something that Ricky Gervais wrote and considering that Gervais has made a career out of bashing little people and for some reason being allowed to portray comic versions of the mentally challenged long past when that was still ok that is saying something. I was well past the zombie craze but had to watch this once I noticed he was in this and was pleasantly surprised. Not great and it's most likely the last zombie film I'll watch. It's not a normal zombie movie that's all I'll say.
You get caught by the title of the film, thinking that this could be a good film, only to realise early on that this is really I've of the worse finds you'll watch "ever". Please avoid at all cost! Don't let it kill your weekend.
Really enjoyed this movie, laughed out loud a lot. Well acted, liked the relationships between characters especially "Cheese and the Col". Type of movie to stick on with your mates. Doesn't take itself seriously but still well made so easy watching on a chilled afternoon. Will look out for what these guys do next
"Fubar" (aka "Killer Weekend") was a movie that came into existence without my knowledge, and I happened to stumble upon it by random luck in 2019. And now that I've seen the movie, I can honestly say that the movie will equally silently and unnoticeably return into obscurity. This movie was bland. Writers Ben Kent and Joel Wilenius attempted to come up with something that would mix horror and comedy, I suppose. But the finished result was one that was mediocre. I can't claim that I was particularly amused with what transpired on the screen and I definitely wasn't laughing. Nor was it enough in the horror lane to actually be interesting enough to watch. However, I managed to endure "Fubar" to the end, hoping that the movie would pick up along the way and become better. But it just never did, so no thumbs up for director Ben Kent here. The characters in the movie were bland and you didn't really care much about what happened to them, and that was a terrible blow to the movie, because there definitely was some potential to it. The storyline of the movie wasn't particularly innovative or overwhelmingly interesting to me, so it only made for a mediocre watching. I sat through it to the end, but I will never watch the movie a second time.
Mark Heap saves this from a very poor film to just a poor film. Unoriginal script reads like a poor man's "Tucker & Dale Vs Evil", some almost passable blood effects but terrible acting. ........ especially from the 'large' guy from UK The Office who's acting is so wooden I'm surprised someone didn't get a splinter.....and the Brother in law who came across as so camp I thought the twist would be he's gay. If a Mark Heap fan then you may get some enjoyment out if it, it not then don't rush to see it. Unlikeable characters who you pray would die.
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Comedy stories are designed to entertain through humor. Popular formats include situational comedy, sketch-style humor, workplace comedy, and romantic comedy.
Action titles emphasize excitement, physical conflict, heroic characters, and fast-paced storytelling. Adventure titles often feature exploration, survival, or epic journeys.
Crime dramas follow investigators, detectives, lawyers, or journalists as they solve criminal cases. Mystery stories encourage audiences to uncover clues alongside the characters.
Science fiction explores futuristic technology, space travel, artificial intelligence, alternate realities, and scientific speculation.
Horror storytelling creates suspense through psychological tension, supernatural events, monsters, or survival scenarios.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.
Animation includes works for children, families, and adults, ranging from educational content to complex dramatic storytelling.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.