Bruce Beresford
as Director
English,Español,Filipino,Français,Indonesian,Kiswahili,Malay,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The comedy film Mr. Church, starring Eddie Murphy, Britt Robertson, Natascha McElhone, etc., directed by Bruce Beresford, was released on November 11, 2016 in the United States. It tells the story of Unique friendship develops when a girl and her dying mother retain the services of a talented cook - Henry Joseph Church. What begins as a six month arrangement instead spans into fifteen years and creates a family bond that lasts forever. This is a Comedy, Drama film with a runtime of 104 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.6/10 from 33,319 viewers.
Bruce Beresford
as Director
Eddie Murphy
as Henry Church
Britt Robertson
as Charlie
Natascha McElhone
as Marie
Xavier Samuel
as Owen
Lucy Fry
as Poppy
Christian Madsen
as Eddie Larson
Mckenna Grace
as Izzy
Natalie Coughlin
as Young Charlie
Madison Wolfe
as Young Poppy
Lincoln Melcher
as Young Owen
Kathleen McMartin
as Mrs. Dickerman
Sara Shearer
as Gibby
Kelly Lester
as Doctor
Aileen Burdock
as Waitress
Michael Leone
as Michael
Shawnee Witt
as Cashier
Thom Barry
as Frankie Twiggs
Adriana Leonard
as Checkout Girl
Susan McMartin
as Writer
Availability may vary by country, language, and release window. Some titles are included with platform subscriptions, while others may require rental, purchase, or app-based access. Streaming catalogs and licensing agreements are updated regularly, so playback options can change over time. For the most accurate viewing experience, check the latest listing on your selected service and confirm regional support, subtitle options, and device compatibility before starting.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
Download the latest MovieBox packages for mobile, FM builds, and TV-compatible APK versions. Choose the package that matches your device and region, then follow the official install guide for best compatibility and security.
Good movie!
Good movie!
Good movie!
Good movie!
Good movie!
source: Mr. Church
I read Richard Brody of the New Yorker opinion of the movie Mr. Church, "It's repugnant for its dehumanizing view (however unintentionally so) of a black man, and repugnant for its emptying- out of one of the great black performers of the time into a sanitized symbol of acceptable blackness. I watched the movie and never thought of Eddie Murphy's character as an Afro-American, but a man hired to cook for a dying woman and her child. Acceptable blackness! What the hell is that? Who decides what is acceptable blackness and unacceptable blackness? Is there a Committee on Acceptable Blackness? I subscribe to Morgan Freemans view in an interview with Mike Wallace, "Stop talking about it. I'm going to stop calling you a white man, and I'm going to ask you to stop calling me a black man. I know you as Mike Wallace. You know me as Morgan Freeman. You want to say, 'Well, I know this white guy named Mike Wallace.' You know what I'm saying?"
If you are tempted to bypass this movie because Eddie Murphy is the "headliner" or because "Church" is in the title, dig deeper and you will find gold. After watching this movie with my wife, I was tempted to say, "Why don't they make movies like that anymore", as if it was a movie from days gone by. I feel strongly the casting was great, the acting was great, the story is moving and inspiring. Even the "featurettes" on the DVD we rented were a great addition. They are short and to the point. They gave us just the amount of additional information we were looking for that we would have missed out on had we gone to the theater or streamed online. But regardless, that was just icing on a very classy and lovingly created cake.
Normally, I criticize movie previews for either spoiling the story or misrepresenting the genre, but if you watch the preview for Mr. Church, you'll get a pretty good idea of what it's about. You'll see teenager Britt Robinson and her mother, Natascha McElhone living alone in California in the 1960s. You'll see Britt's shocked reaction when she wakes up one morning to find Eddie Murphy, a total stranger, cooking breakfast in the kitchen. You'll find out he was hired to be their cook, and you'll guess that he eventually wins Britt's trust and affection. If you like the preview, you'll like the movie. I remember reviewers being unduly harsh (as they usually are on Eddie Murphy movies) on this film, claiming it used the "magical Negro" trope and offended audiences. However, their claim held no water. This movie was based on a true story, and was told from the point of view of Britt Robinson's character. She was a teenager, and like most teenagers, didn't really understand or pay attention to other people besides herself. And, the entire point of the story (don't worry, no spoilers) was that she didn't get to know Mr. Church. He was an important fixture in her life, but he didn't let Britt get too close to him. That was the point! It wasn't a cinematic trope. With those limitations, it would have been easy for the actor portraying Mr. Church to walk through the part without giving him humanity or realism. Eddie Murphy gave a wonderful performance full of layers and subtleties. He fed the audience little tidbits of a mysterious character, making us wonder and guess as to what was really inside him. The more we wondered, the more we cared. He was extremely real - not "magical" without any purpose besides helping out the white protagonist. There are so many subtleties in this movie, from Eddie's character to his relationship with Natascha, that contrast beautifully with the loud setting of the 1960s and 1970s. Director Bruce Beresford and screenwriter Susan McMartin (who adopted her own true story to the screen) seemed to know exactly what the audience and when they needed it. Laughs, drama, a funky song, and silliness all show up at the right time. I saw this movie on opening weekend, and it was a treat to see all the details on the big screen. But if you missed this one in the theaters, which unfortunately quite a few people did, rent it on a weekend when you're in the mood for a complex, heartwarming drama.
One of the trivia says: "This is the first film Eddie Murphy has done in 4 years." He has done an amazing job! It was worth waiting that long. I have not seen a movie like this, in a while. I was all around, lookin', but it found me instead, I guess. We all have our secrets and mysteries, and a reason behind it, which is why you should just leave it, as is, sometimes. Respect that people do not want you to dig deep. As humans, we are predestined to cross the boundaries, and break rules... but it is forgiveness that makes us greater. It is about an open heart. A lot of things to learn from this story. Give it a try!
A detailed breakdown of recent pricing changes, why users are reconsidering their watch setup, and how to evaluate an alternative workflow without losing your discovery habits.
Learn the right flow to install Movie Box APK: version basics first, then clean installation steps, and finally how to choose among TV, iOS, Web, and app usage paths.
A long-form review covering why Project Hail Mary stands out in 2026: adaptation quality, scientific storytelling, emotional depth, and audience reactions.
Comedy stories are designed to entertain through humor. Popular formats include situational comedy, sketch-style humor, workplace comedy, and romantic comedy.
Action titles emphasize excitement, physical conflict, heroic characters, and fast-paced storytelling. Adventure titles often feature exploration, survival, or epic journeys.
Crime dramas follow investigators, detectives, lawyers, or journalists as they solve criminal cases. Mystery stories encourage audiences to uncover clues alongside the characters.
Science fiction explores futuristic technology, space travel, artificial intelligence, alternate realities, and scientific speculation.
Horror storytelling creates suspense through psychological tension, supernatural events, monsters, or survival scenarios.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.
Animation includes works for children, families, and adults, ranging from educational content to complex dramatic storytelling.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.