Tom Ford
as Director
Nocturnal Animals
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,中文
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Description
The drama film Nocturnal Animals, starring Amy Adams, Jake Gyllenhaal, Michael Shannon, etc., directed by Tom Ford, was released on December 9, 2016 in the United States. It tells the story of A wealthy art gallery owner is haunted by her ex-husband's novel, her memories of their relationship, and her regrets about her life. This is a Drama, Thriller film with a runtime of 116 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.4/10 from 335,904 viewers.
Top Cast
Amy Adams
as Susan Morrow
Jake Gyllenhaal
as Tony Hastings
Jake Gyllenhaal
as Edward Sheffield
Michael Shannon
as Bobby Andes
Aaron Taylor-Johnson
as Ray Marcus
Isla Fisher
as Laura Hastings
Ellie Bamber
as India Hastings
Armie Hammer
as Hutton Morrow
Karl Glusman
as Lou
Robert Aramayo
as Turk
Laura Linney
as Anne Sutton
Andrea Riseborough
as Alessia
Michael Sheen
as Carlos
Bobbi Salvör Menuez
as Samantha Morrow
Imogen Waterhouse
as Chloe
Franco Vega
as Driver
Zawe Ashton
as Alex
Evie Pree
as TV Woman #1
Beth Ditto
as TV Woman #2
Tom Ford
as Writer
Austin Wright
as Writer
Where to Watch
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Filming Location
127A Smithfield Road, Frederiksted, Virgin Islands
Production
Castle Rock Entertainment
Award
21 wins & 43 nominations total
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User Review
Heard it overrated
Non-Consent theme makes me extremely furious
Good movie!
Good movie!
Good movie!
Good movie!
Good movie!
Good movie!
Good movie!
What can I say about this movie? I think it's overrated, over-hyped, and overpraised. I believe media loves this movie because they're actually praising Tom Ford the stylist, not Tom Ford the filmmaker. The movie undeniably has good qualities - beautiful cinematography, lavish costume design, amazing cast (Michael Shannon's performance is flawless and deserves an Academy Award). However, the screen script is weak, pretentious and childish. The book written by Tony Hastin looks more interesting than the movie itself. I don't understand the need to tell a story inside a story when the main story line is weak, full of clichés and unconvincing. The love story between Susan and Edward didn't convince me at all. It all seemed very poorly developed, the flashback moments were cold, they always seemed like two teenagers speaking - no substance, no deepness, nothing that Tom Ford's target audience would expect, I believe. Edward's little plot of revenge is absurdly childish, also laughable. That's why the character is not convincing to me. It's all absurdly immature. Honestly, I believe Tom Ford was more worried about making a visually impacting movie than actually a good one. He has yet a lot to learn about what is necessary to be a good filmmaker.
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