Only

Great possible premise, but they blew it. Its been done better by better and this was a waste of time. Predictably dull. I hated the female lead but she didnt write it. She does nothing but childlike mistakes while the main man does so much to secure her. Its simple things that others mentioned that show how little things add up to a big heave of....who cares. Better luck next time. There's a word for the hatred of men..it's...man-hating! And I'm a girl! Misandry! THAT'S IT! There's ONLY 1 good guy and even he's totally abused for keeping them alive. It helps to notice that first blood test because 70% of the film is flashback stuff..maybe only by days but still. Ive seen worse AND it was like this. Walking Dead's Chandler Riggs was MY personal highlight. Oh & shows the logo for Tribeca film festival but not ut winning anything. Like me having some Facebbok page showing logos for Miss Universe.... I hate picking on independent films but I guess it had great locations & visuals. It didnt really need to make alot of panicked hoarding citizens slowly going fera scenesl, which is likely why they didnt to even show it.

Good movie!

source: Only

Great premise but they blew it. Its been done better by better and this was a waste of time. Predictably dull. I hated the female lead but she didnt write it. She does nothing but childlike mistakes while the main man does so much to secure her. Its simple things that others mentioned that show how little things add up to a big heave of....who cares. Better luck next time.

Before watching this I briefly looked at reviews and saw they were completely all over the place so I had no idea what to expect. The good? Not much. Frieda Pinto is extremely easy on the eyes. The cast is a talented group of actors, and the cinematography made me "believe" the dystopian future was "real". The bad? Everything else. The cast, while talented, is a complete waste. Most of the time spent by the leads is spent literally staring at each other, with little / no dialogue. Does this portray deep meaning and emotion, or a lazy screenwriter? Honestly I bet this film has 3-5 pages of conversation, in total. Speaking of wasted actors, "Hi Chandler Riggs!" I hope he got a decent check for the 12 seconds of screen time he had, and he probably doesn't say a complete sentence the entire film. As for the plot? Sad stuff happens. I really tried getting into it, but the lack of dialogue and plot pacing left me wanting. I constantly paused to look at the time, wondering how such a short film could seem so long. Also, there was no need to chop up the timeline as it was, it just makes the final reveal all the more confusing, in that it's not much of a reveal at all. Probably the most anti-climatic climax I've seen in recent memory. This film could've been so much more, and give Chandler Riggs A sentence of dialogue, maybe?

Sad. If a female wants to evade being identified as a female ... Number ONE .. CUT YOUR HAIR .... Number two ... NO MASCARA!!!

The acting was good but the writer's didn't give the female lead much to work with. This could have been so much better with a strong female character instead of a weak, selfish character who actively resists and resents everything her husband does to help keep her safe. I really felt badly for the male character. She was so stupid.

A virus that affects only women, so of course men being the toxic, awful, evil individuals that they are go ahunting the girls ..... give me a break, the story of one woman taking on the whole of mankind. It could have worked if ONLY Eva had a little more sense, but she is utterly unbearable. Why does she go to all that effort to use a wrap to flatten her chest, and yet she has hair that could be used in a Head and Shoulders advert, Eva is very beautiful, but would stand out a mile away. A world where all all men are evil and predatory, it's 2020, can someone please change the record. There was some potential here, but the realisation is terrible, 2/10.

Clearly the current only reviewer 'gerard_schmidt' is a wannabe critic that probably only saw the trailer, and even with that, this film is certainly not a 1/10 smh. And if anyone thinks my rating and review is fake, click on my username to see my 1000+ ratings and 800+ reviews, and read my profile on how a film should be properly rated and reviewed. Now this little gem of a film; This is novice writer and director Takashi Doscher's third full length feature film, and I have to say, he nailed it, especially considering this is a low-budget B-grade indie film. This was a true romantic psychological moral drama apocalyptic sci-fi thriller that actually combined those genres better than I would've ever expected. I'm not a fan of back and forth timelines, but Doscher's timelines worked exceptionally well, especially with the perfect cinematography and distinct color choices for each timeline by cinematographer Sean Stiegemeier. Doscher's directing was spectacular, in that every scene transitioned perfectly, even with the back and forth timelines. The score and sound were on point and very fitting in maintaining that constant level of suspense. Leslie Odom Jr. and Freida Pinto's character chemistry and intimacy was convincing, and their performances outstanding - especially Pinto's break-down scene that was award-worthy. My only critique would be the slow pacing. I know it had a lot to do with maintaining the tension and suspense, but maybe cutting down/out some scenes, and/or pick up the pace in many of them, the 98 min runtime would've flew by. I get this film wont be for everybody, but if you're a fan of apocalyptic films with romance that actually works well, then you will enjoy this. If your gal wants to see a chick-flick and you a sci-fi, this film is perfect for both. But if you're expecting a big budget Hollywood blockbuster from seasoned actors and filmmakers like Mad Max or Oblivion, you may be disappointed. But nevertheless, this is a well put together and entertaining film - especially considering it's a low-budget B-grade indie film, put together by a novice filmmaker. Mad props to Takashi Doscher for this little gem, and it's a well deserved 9/10 from me.

The acting here was pretty decent from the leads, cinematography was good for a fairly low budget movie, but the story ended up lacking. There was a lot here that could have been really fascinating. The plot sets the stage for what could be a dive into very fascinating conflicts and character exploration. Instead, the movie delivered a fairly boring jog through well played out tropes. You have the strong, "overprotective" husband, the irrational and overly emotional wife who can't act to save herself, let alone anyone else, except for one small part near the end. She behaves in a way that constantly puts them both in danger and seals the deal by committing a prolonged suicide in a way that precludes her death possibly benefiting the rest of humanity. There are all sorts of different paths the story line could have taken which would have been empowering, deep, and meaningful. The tragedy could have really meant something... but it didn't. Instead, the story meandered down a path that seems 'ok' on the surface, but is actually hollow when you look more deepy.