Robert Hloz
as Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The crime film Restore Point, starring Andrea Mohylová, Matej Hádek, Milan Ondrík, etc., directed by Robert Hloz, was released on February 9, 2024 in Czech Rep.. It tells the story of Set in central Europe during 2041, a female detective investigates the case of a murdered couple where a restoration team is able to bring one of them back to life. This is a Crime, Drama, Sci-Fi film with a runtime of 115 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.1/10 from 3,421 viewers.
Robert Hloz
as Director
Andrea Mohylová
as Em Trochinowska
Matej Hádek
as David Kurlstat
Milan Ondrík
as Viktor Toffer
Václav Neuzil
as Agent Mansfeld
Karel Dobrý
as Rohan
Agáta Cervinková
as Dr. Petra Legerová
Katarzyna Zawadzka
as Kristina Kurlstatova
Iveta Dusková
as Dudková
Jan Vlasák
as Captain
Richard Stanke
as Richard
Adam Vacula
as Peter Trochinowski
Jan Jankovský
as Jan Zima
Lech Dyblik
as Withered face
Lucie Stepánková
as Rohan's assistant
Daniel Rouha
as Reporter 1
Tereza Richtrová
as Reporter 2
Maxim Hendrych
as Boy after restoration
Zdenka Hrdlickova
as Crying mother
Tomislav Cecka
as Writer
Robert Hloz
as Writer
Zdenek Jecelin
as Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
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The not-too-distant future. The Institute has developed the ability to back up citizens. Just by making a save at least once every 48 hours, you could bring yourself back to life, in case you died. The main character - Em Trochinowska, a girl working as a detective is investigating the death of one of the employees of the institute. General impressions: a rather simple low-budget movie with mediocre acting. It is a bit boring in places. Many controversial moments in the film are not fully described. The motivation of the main character to risk her life in some situations is not fully understood. Watch it exclusively for fans of sci-fi.
Good storyline, very well executed, convincing cast. For a none Hollywood movie and I assume no gazillion Euros budget either, that is quite an impressive and enjoyable movie. Big respect to Robert Hloz who did a great job, I am sure we'll see more of his work in the future. You could tell that he is a big fan of Denis Villeneuve's "Blade Runner 2049", although the similarities are not imposing, but you could feel that we are not far from that reality, in a brighter and less gloomy future compared to Blade Runner. I like very much the new everyday technology of 2041 and the performances of the cast and the casual way they were interacting with it, presumably most of it is CGI, but still it was quite convincing and a kind of a glimpse into the not so far possible future. Very solid performance from all the cast but surely top praise to the lead character played by Andrea Mohylova. I love it when a movie I know nothing about surprises me the way this movie did, quite a joyful gem.
Restore Point is an enthralling narrative that artfully blends the allure of cutting-edge technology with the eternal intricacies of moral decision-making. From the beginning, the story catapults readers into an extraordinary reality: what if the 'restore points' used to safeguard data in our digital devices could be applied to our very existence? This ingenious concept lays the foundation for a storyline brimming with ethical tensions that captivate and retain your attention to the last page. At the center of this narrative's tremendous pull are the decisions thrust upon its characters, decisions that cut right to the heart of their principles. The power to rewind life's moments kindles introspection about consequences, the weight of our experiences, and the perennial debate between destiny and free will. Witnessing the characters contend with altering their histories, eliminating cherished moments or amending past errors, rivets you with its poignant and intricate portrayal. It applaudly reflects the creators' proficiency in creating relatable moments that strike a chord through the veil of futuristic science fiction. These moral puzzles are not just window dressing; they compel us, the audience, to scrutinize our own lives. What choices would we make if we could rewind and rewrite our missteps? It's a confrontational inquiry: do we undo our acts, risking the essence of our identity, or do we embrace everything that has shaped us, including our imperfections? "Restore Point" boldly illustrates the repercussions of these pivotal choices through captivating narrative consequences that will linger in your thoughts well beyond the conclusion. Beyond its philosophical richness, the story thrills with its well-crafted plot - every scene packed with relevant action and deft suspense. The story's clever pacing results in narrative acrobatics that bounds through surprising twists, ensuring that the tale grips not only the viewer's attention but also their intellect. In summary, I'd say Restore Point surpasses the run-of-the-mill storytelling, by breathtakingly merging its science fiction roots with a profound study into the depths of human qué- morals. This piece is much more than a simple speculative exercise - it educates as it enthralls. Left in the wake of the moral quandary or the thrill ride of the plot, it makes for an unforgettable experience, ideal for those seeking intellectual stimulation nested within their entertainment.
What I mind about western sci-fi (bright exceptions like Dune excluded) is the cleanliness of their CGI. What you are supposed to see is (e.g.) post-apocalyptic squalor but all you actually see is shiny CGI and brand new sets. This movie isn't post-apocalyptic and yet it's quite gritty and realistic anyway. Sure, there are some city-scape shots which are obviously CGI but anything that matters is either invisible CGI or practical. Sometimes even uncomfortably practical. All in all, this definitely beats Top Gun 2 and Tom Cruise's (false) promises about real planes without any CGI at all. Story vise, this isn't about characters. Characters are merely vehicles or viewpoints for deeper philosophical questions, thus making the viewer the true hero of the story.
The movie is so good ! It has a really compelling plot that you wanna watch , the performance is great . I really enjoyed the way they pictured future , this movie is intelligent! Honestly I would have mentioned a flaw but I really couldn't find any . I don't know how did they found this idea , but I congratulate them . Because it was great ! Their plot is so perfect , i was stunned , there was also a lot of surprises and unpredictable events. The filming , oh it was delicious . The cameras angle was exactly were it should , showing the best brew and giving you the emotion of the scene . I want to also congratulate the actors, for their great performance through the film , didn't know any of them but still got me ! And songs were great and suited , also the CGI ? Was so realistic .and it everything made sense and it felt believable , like 2041 will be actually like yhe movie shows . I really enjoyed the film , and I'm sure anyone in their right mind would feel the same. I don't usually rate films that high but this film definitely deserves the bests for its great work !
A nice looking film, decent performances from the actors and a story you've heard before. Cop's life partner is killed and she's driven on a mission to stop a terrorist group. In this instance it's "tree of life" which seeks to stop restoring people's lives back to where they were before, perhaps their memory is restored - and this is never explained. The problem I had was right from the beginning. A terrorist puts a gun against the back of a man's head and pulls the trigger, instantly splattering the contents of his head inside the bag that was pulled over his head. Exactly how was his life 'restored' when his head was in pieces? None of this is explained at all. There is just a timer device inside everyone's pocket that indicates how much longer you have to be 'restored.' One effort to explain it is in the hospital where a boy is 'restored' and a door is opened showing the boy waking up after a car accident and looking as if nothing has occurred. Regrettably, this film because it doesn't even try to sell the science of the science fiction at all. It might be a technical triump for the Czech film industry and I do applaud the effort. But this film represents a learning experience.
No pun intended - you could make the case of police not waiting for others to arrive! This is not the first movie to have the main character being way too anxious (not always with apparent reasons - the first incident ... it makes sense she wants to go in, not wanting to wait ... second one? Well I reckon in the end it makes sense, but she can't know that - also .. "baggage"). All that aside, the movie has quite a few things it does bring across. Having the chance to do things over, is not always the best thing for humans. It may feel like a security blanket ... but we know how this works. There are things, that I am not sure how they ... actually make sense and happen (I reckon technology is involved), but in the end, how much do we remember? How much is true? If we don't remember, did it happen? And are we a different being all of a sudden? A lot of existential question and .. angst as you could say ...
I love sci-fi and post-apocalyptic and existencial, and this tries to look exactly like that. The problem is it is just a make believe. The characters are not interesting, you don't care about them, because there is nothing to like them for or hate them for, for that matter. The dialogues are unnatural. Like translated from another language (I viewed the original Czech version), the characters names and organization names are unnecessarily complicated, hard to remember or make sense in the first place. It could have been a good movie if it was not trying too hard to look like something else. Too bad.
My hopes have just been restored that in the Czech Republic and Slovakia, it's possible to create an amazing film that can hold its own and easily surpass many of the Hollywood movies with budgets 150,000 times higher. "Restore Point" had beautiful visuals, a great soundtrack, and exceptional camera work. It reminded me of cool sci-fi films like "Blade Runner," "The Island," and "Upgrade." It was finally something fresh, with an intriguing story and the outstanding lead actress Andrea Mohylová. She played her part perfectly and had a great look for a cool female cyberpunk detective. "Restore Point" explored many interesting themes about our attempts to back up consciousness. It brilliantly incorporated the new technologies of 2041 and avoided many of the mistakes made in famous sci-fi films. One common mistake in many sci-fi movies is that they are set in the near future, but the technology depicted is far too advanced for the year it's supposed to be, which makes the film less believable. In "Restore Point," I loved the setting and the powerful noir atmosphere it created when depicting the futuristic city in contrast to old, abandoned places. It was very intense, had great music and amazing visuals. Restore Point serves as a proof that you don't need a high budget to create something fresh and visually stunning. It's a reminder that innovative storytelling and skillful filmmaking can transcend budgets and borders, leaving a lasting impression on audiences worldwide.
This for me was very solid detective cyberpunk story, one which i really didnt expect from our czech movie production. This movie compares well even to other movies in scifi genre. Story is really solid with some juicy futuristic ideas, and the effects are good enough to immerse you in this future world. The acting was professional, if little stiff sometimes, and story rushed too fast in some parts, but there were no major issues, nothing that would really detract you from enjoying the story. Plus the pumping music in the credits rocks, wait for it. Overall pretty enjoyable movie, especially if you like cyberpunk settings.
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