John Cleese
as The Guv
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The comedy film Spud 2: The Madness Continues, starring John Cleese, Troye Sivan, Sven Ruygrok, etc., directed by an unlisted director, was released on June 21, 2013 in South Africa. It tells the story of Spud faces the second year of boarding school whilst still waiting for his own body to mature as much as he has. This is a Comedy film with a runtime of 91 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.1/10 from 1,313 viewers.
John Cleese
as The Guv
Troye Sivan
as Spud
Sven Ruygrok
as Rambo
Byron Langley
as Simon
Blessing Xaba
as Fatty
Tom Burne
as Vern
Josh Goddard
as Mad Dog
Travis Hornsby
as Boggo
Jason Cope
as Sparerib
Jeremy Crutchley
as The Glock
Harold Hendricks
as Death Breath
Daniel Fisher
as Anderson
Callan Gallacher
as Emberton
Charlbi Dean
as Amanda
Genna Blair
as Mermaid
Aaron McIlroy
as Spud's Dad
Julie Summers
as Spud's Mom
Brenda Ngxoli
as Innocence
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
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Good movie!
Good movie!
best movie ever
This sequel to Spud follows the same group of boys at their South African boarding school as the country navigates its way out of apartheid. The searing political backdrop is occasional mentioned but mostly ignored and the film focus is instead on the teenage growing pains of the titular character. Where the first film explored the complex social relationships at such an establishment this sequel skips straight to escapades and actions. This distances you from the characters, less bought into their situation and potential outcomes and instead watching remotely as a potentially disinterested observer. The escapades range in scale but are often tinged in nastiness. The bullying is sharper, more malicious in nature and has far greater consequences. I left the film with less sympathy for Spud and his fellow students than I entered it, and less entertained than the first film had left me hoping. On the whole a misfire, lets hope Spud 3 resolves these challenges.
source: Spud 2: The Madness Continues
source: Spud 2: The Madness Continues
This sequel to Spud follows the same group of boys at their South African boarding school as the country navigates its way out of apartheid. The searing political backdrop is occasional mentioned but mostly ignored and the film focus is instead on the teenage growing pains of the titular character. Where the first film explored the complex social relationships at such an establishment this sequel skips straight to escapades and actions. This distances you from the characters, less bought into their situation and potential outcomes and instead watching remotely as a potentially disinterested observer. The escapades range in scale but are often tinged in nastiness. The bullying is sharper, more malicious in nature and has far greater consequences. I left the film with less sympathy for Spud and his fellow students than I entered it, and less entertained than the first film had left me hoping. On the whole a misfire, lets hope Spud 3 resolves these challenges.
Spud 2: The Madness Continues
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Comedy stories are designed to entertain through humor. Popular formats include situational comedy, sketch-style humor, workplace comedy, and romantic comedy.
Action titles emphasize excitement, physical conflict, heroic characters, and fast-paced storytelling. Adventure titles often feature exploration, survival, or epic journeys.
Crime dramas follow investigators, detectives, lawyers, or journalists as they solve criminal cases. Mystery stories encourage audiences to uncover clues alongside the characters.
Science fiction explores futuristic technology, space travel, artificial intelligence, alternate realities, and scientific speculation.
Horror storytelling creates suspense through psychological tension, supernatural events, monsters, or survival scenarios.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.
Animation includes works for children, families, and adults, ranging from educational content to complex dramatic storytelling.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.