Óskar Thór Axelsson
as Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The TV series Stella Blómkvist, created by Jóhann Ævar Grímsson and produced by an unlisted studio, first premiered on January 31, 2019 in Iceland. The series spans 1 season with 6 episodes, featuring the voices of Heida Reed, Sara Dögg Ásgeirsdóttir, Kristín Þóra Haraldsdóttir, and Þorsteinn Guðmundsson. It follows the story of Stella Blómkvist is a young, cute, libertine, tough, confident, intelligent, Icelandic lawyer with a flexible moral compass. A friend at the police calls her when there's a criminal in need of a lawyer. This is a Crime, Drama, Thriller series and has received a rating of 6.8/10 from 1,365 viewers.
Óskar Thór Axelsson
as Director
Thora Hilmarsdottir
as Director
Heida Reed
as Stella
Sara Dögg Ásgeirsdóttir
as Dagbjört
Kristín Þóra Haraldsdóttir
as Gunna
Þorsteinn Guðmundsson
as Raggi
Jóhannes Haukur Jóhannesson
as Sverrir
Sigurdur Runarsson
as Medical Doctor
Steinunn Ólína Þorsteinsdóttir
as Edda
Sveinn Ólafur Gunnarsson
as Valdi Porno
Hannes Óli Ágústsson
as Haukur
Kristín Lea
as Halla
Arni Sigurdsson
as Icelandic Government
Hilmar Kristberg Jónsson
as Icelandic Government
Leifur Gauti Sigurðsson
as Icelandic Government
Anthony Bacigalupo
as Tom
Sigrún Edda Björnsdóttir
as Lovisa
Sigrún Edda Björnsdóttir
as Regina
Þór Tulinius
as Ymir
Hilmar Guðjónsson
as 'Crooked Cop' Steini
Jasmín Dúfa Pitt
as Ally
Jóhann Ævar Grímsson
as Writer
Óskar Thór Axelsson
as Writer
Nanna Kristín Magnúsdóttir
as Writer
Andri Óttarsson
as Writer
Stella Blómkvist
as Writer
Snjolaug Ludviksdottir
as Writer
Dóra Jóhannsdóttir
as Writer
Jónas Margeir Ingólfsson
as Writer
Availability may vary by country, language, and release window. Some titles are included with platform subscriptions, while others may require rental, purchase, or app-based access. Streaming catalogs and licensing agreements are updated regularly, so playback options can change over time. For the most accurate viewing experience, check the latest listing on your selected service and confirm regional support, subtitle options, and device compatibility before starting.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
Download the latest MovieBox packages for mobile, FM builds, and TV-compatible APK versions. Choose the package that matches your device and region, then follow the official install guide for best compatibility and security.
Heida Reed got a part in the new procedural FBI International which I watched and I'd never seen her before so checked this out. Very watchable series and the obligatory plot twists are never too obvious. The Icelandic scenery was novel, and I half expected Stella to be kidnapped and taken to an active volcano or something for interrogation, but that never happened. Well worth a watch.
To rate a series that is this basic. That ticks most boxes of entertainment, but at the same time is totally unbelievable to be true. This was hard. Island is a country of 350000 people. Right. But that they are this corrupt is hard to believe, considering the bank crises of 2008. You would have thought they would have learned something. What this series is is a female figure that poses as a police DI. She does everything but law, still being an attorney. But I found it entertaining enough for 7. But I am Norwegian, I might be biased.
First off. I am addicted to Nordic, Scandi, whatever, western European crime series. Quality, quality, quality flooding out of there. S.B.S. where I picked this up, with high hopes, hooked me in. Now, serious spoiler alert. So DO NOT READ FUTHER IF INTENDING TO WATCH> So we have an over-achieving fixer of all things criminal. Top of the game. Sounds good. Opening scene. Cunnilingus happening and calls from someone dropping a job in her lap, via the mobile. The caller hears her climax. She pats the recipient male on the head and says 'good boy'. Lost me at; 'hang on caller I just want to get off'. What are the writers trying to convey here? Fashionable progressiveness? I don't particularly give a toss( unintended pun) As an S.B.S .category of content says..."get a a room". Whether it's male or female getting their jollies...get a room guys. Lost me within two minutes. Not a prude. Like participating in the above. Just time and place. Time and place guys.
The criminal lawyer asks: who is our Minister of the Interior? (S01E01) That's enough I suppose to estimate the level of these series. Heida Reed is damn hot 🔥
I watched season 1 and season 2 because of the main character (Heida Reed). She probably would be great in a movie or in another series based on a good script. First of all there is this continuous very loud techno background music (80 dB or so). First of all, I really don't know why so many Scandinavian directors think it necessary to bombard their viewers with unnecessary continuous background music. There just is not one moment without loud background music. Dear directors and producers and actors, we are not stupid and we know very well when there is tension or sadness. For instance: Stella takes a book of a shelf and at that moment the director thinks it necessary to play two very loud techno drum beats. Why? This background music is so loud during dialogues, that one hardly can hear the actors talk! Why? Secondly, why is it that in so many Scandinavian series the police or the protagonist are so stupid that they keep turning their back to the enemy. Not just once but many times and they never learn anything from their failure. This series is so full of dumb and predictable cliche's, that I wondered in what stupid universe I was watching Stella Blomkvist.
I thought this show was terrific. I enjoyed every episode and I wish it would continue. I admired the production and I laughed a lot.
We gave a fair shot but in the second episode it became so unbelievable that we stopped watching. Those officers wouldn't get away with such behavior in public in a tiny country.
The plot is full of holes. Stella puts herself in situations that are stupid and dangerous. The idea behind it should work but it was as if was written by some high school kid. Kristín Þóra Haraldsdóttir steals the show, how about a spin-off series with different writers?
"young, cute, libertine, tough, confident," CUTE??? Since when do we call Professional Women "Cute"?? First episode, we watch her make.choices that are cringeworthy.... Going to a deserted Parking Garage.. at night? Getting in a strange car....not knowing where it is going? Alone? This is to show "cute"? or "libertine"? It appears LIBERTINE means Rude and willful. not clever LATER... If you can ignore the first episode or 2.. This Series improves greatly. Overall I would RECOMMEND!!
If this series is representative of modern day Iceland, it certainly does not portray it in a very "likeable" light! A lawyer who sleeps around with any and everyone, incompetent police, corrupt leaders and a superpower trying to buy the country, are all not pleasant to see but is what seems to be happening in that country. While the series is entertaining at times because of its modernity, it does have the potential to become formulaic and tiresome. Best enjoyed until that happens, but be prepared to watch a series that does not seem to have boundaries on sexuality or sexual situations!
A detailed breakdown of recent pricing changes, why users are reconsidering their watch setup, and how to evaluate an alternative workflow without losing your discovery habits.
Learn the right flow to install Movie Box APK: version basics first, then clean installation steps, and finally how to choose among TV, iOS, Web, and app usage paths.
A long-form review covering why Project Hail Mary stands out in 2026: adaptation quality, scientific storytelling, emotional depth, and audience reactions.
Comedy stories are designed to entertain through humor. Popular formats include situational comedy, sketch-style humor, workplace comedy, and romantic comedy.
Action titles emphasize excitement, physical conflict, heroic characters, and fast-paced storytelling. Adventure titles often feature exploration, survival, or epic journeys.
Crime dramas follow investigators, detectives, lawyers, or journalists as they solve criminal cases. Mystery stories encourage audiences to uncover clues alongside the characters.
Science fiction explores futuristic technology, space travel, artificial intelligence, alternate realities, and scientific speculation.
Horror storytelling creates suspense through psychological tension, supernatural events, monsters, or survival scenarios.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.
Animation includes works for children, families, and adults, ranging from educational content to complex dramatic storytelling.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.