Tali Shemesh
as Director
The TV series The Motive, created by Tali Shemesh and produced by an unlisted studio, first premiered on October 28, 2021 in an unspecified country. The series spans 1 season with 4 episodes, featuring the voices of Avi Samuel, Yossi Arnon, Yossi Cohen, and Haim Siani. It follows the story of In Jerusalem 1986, a 14-year-old boy shoots his family point-blank in their beds. Yet questions persist. In this docuseries, insiders come forward. This is a Documentary, Crime, Mystery series and has received a rating of 5.3/10 from 1,901 viewers.
Tali Shemesh
as Director
Asaf Sudri
as Director
Avi Samuel
as Self - Youth Investigator, Jerusalem Police Dept.
Yossi Arnon
as Self - Defense Attorney
Yossi Cohen
as Self - Head of Investigations, Jerusalem Police
Haim Siani
as Self - Forensics Detective
Shmuel Tiano
as Self - Psychiatrist
Mazal Freige
as Self - Teacher
Adi Sabag
as Self - Classmate
Irit Hachham Shalev
as Self - Classmate
Ofer Calaf
as Self - Neighbor
Shmuel Chefer
as Self - Teacher at Reform School
Eli Herskovitz
as Self - Press Photographer
Shoshana Calaf
as Self - Neighbor
Rakefet Kabesa
as Self - Classmate
Ruthie Yovel
as Self - Journalist
Yehudit Pops
as Self - School Counselor
Yehoshua Feznik
as Self - Prosecutor
Lea Lecher
as Self - Co-Worker
Shira Cohen
as Self - Murdered Sister
Tali Shemesh
as Writer
Asaf Sudri
as Writer
Availability may vary by country, language, and release window. Some titles are included with platform subscriptions, while others may require rental, purchase, or app-based access. Streaming catalogs and licensing agreements are updated regularly, so playback options can change over time. For the most accurate viewing experience, check the latest listing on your selected service and confirm regional support, subtitle options, and device compatibility before starting.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
Download the latest MovieBox packages for mobile, FM builds, and TV-compatible APK versions. Choose the package that matches your device and region, then follow the official install guide for best compatibility and security.
Good movie!
Good movie!
Good movie!
Good movie!
Good movie!
What a waste of time. Horribly edited, lacks any narrative, structure or satisfying conclusion. I regret watching it. Now, you could say the story is somewhat interesting, but it is nowhere as mysterious as they want it to be. This is not the first time a psychopathic child murders their family for "no apparent" reason. Even his defence lawyer said that the child wanted the verdict to be "manslaughter", and not "murder", so that he could inherit the family possessions. Is this not a motive? After getting the reduced manslaughter sentence, he says "life starts at 20", implying he will get out of prison and start living on a blank slate with the money and properties his family had. He never showed any regret or remorse. What a mystery.
He did it because he wanted to know what it is like to shoot them. Plain and simple. That idiot laywer is just creating confusion and a lot of smoke. But the answer is simple.
A psychopath killing his whole family is being idealized just because he's brilliant. He is presented as the victim and a hero. Not a single respect is paid to those who lost their life. Point is there is no motive cause boy is just a psychopath who had urges to killed. And to the producers, please do anything else but stop making docuseries please. It was very bad.
The biggest issue I have with this docuseries is the interview process - or at least what's visible to us. The questions are closed-ended or loaded with preconceptions or not provocative enough. It's like just seeking confirmation for whatever the interviewees had planned to say. A good interviewer should be both provocative and able to put people at ease so that interviewees would reveal more of what they're thinking/feeling (there are a few brief moments in which they managed to do that, but the rest of the interview is just a disappointment). Also, they should always press for something more concrete from the interviewees, especially those considered to be experts or authorities - there's a lot of flowery language and swelling emotions, but not much substance. Like the lawyer who thinks he knew the motive, sure, but maybe wonder why his opinion holds any weight as he's not a psychiatrist? Or how he drew his conclusions? Or the psychiatrist, who admitted we have better understanding of mental states now than before, sure, what are the developments? What are the studies, terminologies, examples, etc? What are the philosophies on children crimes, mental health, family dynamics, military, gun control, Israeli state at that time, etc? For me, there are two possible reasons why he could've committed such heinous crimes - one influenced by external forces, and the other internal. External forces could be: abuses sustained by him or any of his family members (little evidence of that), delirium caused by rage or any extreme emotion (not found), or brain tumours (for example, see Charles Whitman; even though this is internal of the murderer, it's out of his control, hence can be considered as external, this isn't mentioned in the show). Then, there are the potential internal forces: narcissism, psychopathy, etc. One might find it hard to imagine, but you're never in the head of a psychopath, the problem isn't that they think about doing evil things all the time, it's that evil deeds don't bother them because they're not emotionally affected by it. And one always seeks for outward traits of devil (as suggested by many authorities in the show), as if there's a stereotypical face caused by psychopathy. What are you looking for, a "666" tattoo? For instance, Chris Watts, who murdered his wife and daughters simply because he wanted to leave them behind and start a new life with another woman, he could also be thought as just a regular Joe. You would think the means are way too extreme for the ends, but that's not how they see it. One of my theories is that the murderer actually felt suffocated by the attention and affection that he's showered with, and could be feeling like everyone's baby, which he despised (the journalist - if she could be trusted - mentioned something along the lines that he felt that he could only be a real grown up without his family). Lastly, there are the technical parts... first, why is it cut into 4 short episodes? Is it necessary? Or it makes the blatant repetitions of images and sentiments less egregious? Then the narrative, music... are all quite hackneyed. They aren't bad, just a little pedestrian for such a compelling story. The show seems like just a cool presentation of what people can already guess/know, they should ask more probing questions, shine light on more perspectives (with real studies to back it up). As it stands, it seems more like a he-said-she-said gossip story.
Kept showing the same scenes over and over again , and to this day no one knows the motive. A horrific crime like the one committed should have been far more compelling, instead it became boring .
A detailed breakdown of recent pricing changes, why users are reconsidering their watch setup, and how to evaluate an alternative workflow without losing your discovery habits.
Learn the right flow to install Movie Box APK: version basics first, then clean installation steps, and finally how to choose among TV, iOS, Web, and app usage paths.
A long-form review covering why Project Hail Mary stands out in 2026: adaptation quality, scientific storytelling, emotional depth, and audience reactions.
Comedy stories are designed to entertain through humor. Popular formats include situational comedy, sketch-style humor, workplace comedy, and romantic comedy.
Action titles emphasize excitement, physical conflict, heroic characters, and fast-paced storytelling. Adventure titles often feature exploration, survival, or epic journeys.
Crime dramas follow investigators, detectives, lawyers, or journalists as they solve criminal cases. Mystery stories encourage audiences to uncover clues alongside the characters.
Science fiction explores futuristic technology, space travel, artificial intelligence, alternate realities, and scientific speculation.
Horror storytelling creates suspense through psychological tension, supernatural events, monsters, or survival scenarios.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.
Animation includes works for children, families, and adults, ranging from educational content to complex dramatic storytelling.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.