Paul G. Volk
as Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The drama film The Night They Came Home, starring Charlie Townsend, Tim Abell, Brian Austin Green, etc., directed by Paul G. Volk, was released on January 8, 2024 in the United States. It tells the story of A frontier lawman partners with an Indian detective to hunt down a ruthless band of teenage criminals known as the Rufus Buck Gang. This is a Drama, Western film with a runtime of 105 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.6/10 from 491 viewers.
Paul G. Volk
as Director
Charlie Townsend
as Rufus Buck
Tim Abell
as Heck Thomas
Brian Austin Green
as Chuck Palmer
Kassius Marcil-Green
as Tommy Palmer
Kelsey Reinhardt
as Jolene Palmer
Robert Carradine
as Bart
Phillip Andre Botello
as Lucky Davis
Nicholas Rising
as Lewis Davis
Hugh McCrae Jr.
as Sam Sampson
Chase Stephens
as Charles Buck
Ivan Villanueva
as Maoma July
Peter Sherayko
as George Maledon
Tommy Wolfe
as Paden Tolbert
Jesse Kove
as Wayfaring Stranger
Jayd Swendseid
as Peta Nocona
Anna Florence
as Ellie Patterson
Patrick Durham
as Spencer Patterson
Caroline Plyler
as Rosetta Hassan
John A. Russo
as Writer
James O'Brien
as Writer
Availability may vary by country, language, and release window. Some titles are included with platform subscriptions, while others may require rental, purchase, or app-based access. Streaming catalogs and licensing agreements are updated regularly, so playback options can change over time. For the most accurate viewing experience, check the latest listing on your selected service and confirm regional support, subtitle options, and device compatibility before starting.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
Download the latest MovieBox packages for mobile, FM builds, and TV-compatible APK versions. Choose the package that matches your device and region, then follow the official install guide for best compatibility and security.
no access
Good movie!
Good movie!
Good movie!
Good movie!
As an avid fan of Westerns and always looking under that rock for the next great story-regardless of budget, i.e. "Bone Tomahawk"-I tried to give this one a chance. This one absolutely sucked from the first scene on; and kept getting worse. I stuck it out, but it's nearly two hours I will never get back. The dialogue was preachy and dumb. The camera work was erratic and novice, oftentimes looking like it was filmed on a iPhone. I'm amazed that shows like this make it beyond the pitch to production. This movie was absolutely horrible in every measurable way. I would rather take up crochet or eat a warm bucket of hamster vomit than sit through this hot mess of a feeble attempt at cinema.
Tim Abell carries this well-directed Western as Deputy US Marshal Heck Thomas and delivers his best performance yet as he brings this kickass, no nonsense lawman to life. Newcomer Charlie Townsend sells it soundly as outlaw Rufus Buck and it was good to get a cameo from Robert Carradine (The Long Riders). Considering it was based on a true story, there were some historical facts that needed to be explained, which may have affected the pace but stories have to be told and that takes time. Production value was solid. All in all, it was a well-told story with great action sequences, and far better than some recent Westerns with bigger budgets. Well worth a look!
Decent Story "B" western... The movie had a pretty good story line. I liked how they presented the viewpoints of different groups and people fairly and realistically, although a bit difficult to swallow at times. It looked like pretty low budget otherwise, but the actors were very well cast I think and most of them did a pretty good job. People have sort of likened it to a Cage movie where you can't quite decide if it's good or bad. But at the end, I'm glad I saw it. It had a realistic message which was explored somewhat with the interactions between the different groups and different interests. I think a good point it made is that getting along is largely determined on an individual by individual basis and how they've decided to fit in into an imperfect world. Sometimes the good guys had good points, sometimes the bad ones did. Nobody's perfect, and this was a good exploration into the complex communities which existed and vied for influence in the twilight years of the Wild Wild West. Some people will surely find it a bit cringe that any of us ever acted this way, but this is just fact. I didn't regret seeing it, let's just put it that way. I would give it 3-4 stars for the actual production, but the story/dialogue/performances really rose above the other issues with sets/wardrobe and were more like around a 6 or so. I'd say this is just about average all things considered; Acceptable.
Worst piece of garbage of social justice, of weakly written, poorly conceived, and stink up junk to waste film on. The costumer should be fired. The prop person should be fired. The writer should be fired. The director should be fired. A low budget film can happen. Case in point: Bone Tomahawk. Obviously that movie was made on a dime. Some of the costumes were meh, but at least the dialogue sparkled with a sort of authenticity. As an actor it must be torture to recite lines that are so poorly written, so full of anachronistic language. About the only good thing in this flick was the gang's demise.
One of many micro budget films with a washed up star plastered on the poster, The Night They Came Home pretends to retell the story of the real life Rufus Buck gang. But instead of a western biopic, what we get are endless musings about race and white-man-bad. The writers did put some nuance into the dialogue though, and it's not as stupidly on the nose as a Disney production or something of the sort. There are some moments of genuine tension (when they come across a man and his son who they hold an impromptu trial for), and some moments of nuance. After giving a long speech about the injustice of racism to a reporter, once the reporter is gone, the gang breaks out in laughter at the idea of the reporter having bought that * and bull story. It is a testament to the actors portraying the gang members, that the ridiculous writing can be brought to the screen at all. Charlie Townsend as Rufus Buck has genuine talent and will hopefully receive better material in the future. Production value is nonexistent here, color grading is awful for the most part, and the cheap digital look can make even nice landscapes look terrible. I get better looking shots on my Iphone. The music is stock music quality as expected. Danny Trejo has a glorified cameo as narrator so they could put him on the poster, but his scenes just suck the air out of what little narrative there is. Overall it's quite terrible, but there's talent among the cast.
A detailed breakdown of recent pricing changes, why users are reconsidering their watch setup, and how to evaluate an alternative workflow without losing your discovery habits.
Learn the right flow to install Movie Box APK: version basics first, then clean installation steps, and finally how to choose among TV, iOS, Web, and app usage paths.
A long-form review covering why Project Hail Mary stands out in 2026: adaptation quality, scientific storytelling, emotional depth, and audience reactions.
Comedy stories are designed to entertain through humor. Popular formats include situational comedy, sketch-style humor, workplace comedy, and romantic comedy.
Action titles emphasize excitement, physical conflict, heroic characters, and fast-paced storytelling. Adventure titles often feature exploration, survival, or epic journeys.
Crime dramas follow investigators, detectives, lawyers, or journalists as they solve criminal cases. Mystery stories encourage audiences to uncover clues alongside the characters.
Science fiction explores futuristic technology, space travel, artificial intelligence, alternate realities, and scientific speculation.
Horror storytelling creates suspense through psychological tension, supernatural events, monsters, or survival scenarios.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.
Animation includes works for children, families, and adults, ranging from educational content to complex dramatic storytelling.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.