Daniel O'Hara
as Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The TV series The Stranger, created by Harlan Coben and produced by an unlisted studio, first premiered on January 30, 2020 in the United Kingdom. The series spans 1 season with 8 episodes, featuring the voices of Richard Armitage, Hannah John-Kamen, Jennifer Saunders, and Paul Kaye. It follows the story of The secrets and lies of suburban families are made public by the appearance of a stranger. This is a Crime, Drama, Mystery series and has received a rating of 7.2/10 from 68,366 viewers.
Daniel O'Hara
as Director
Hannah Quinn
as Director
Richard Armitage
as Adam Price
Hannah John-Kamen
as The Stranger
Jennifer Saunders
as Heidi Doyle
Paul Kaye
as DC Patrick Katz
Paul Kaye
as Patrick Katz
Siobhan Finneran
as DS Johanna Griffin
Jacob Dudman
as Thomas Price
Shaun Dooley
as Doug Tripp
Misha Handley
as Ryan Price
Kadiff Kirwan
as DC Wesley Ross
Brandon Fellows
as Mike Tripp
Dervla Kirwan
as Corinne Price
Ella-Rae Smith
as Daisy Hoy
Stephen Rea
as Martin Killane
Anthony Head
as Edgar Price
Lily Loveless
as Ingrid Prisby
Humera Syed
as Olivia
Kai Alexander
as Dante Gunnarsson
Callie Cooke
as Kimberley Doyle
Harlan Coben
as Writer
Daniel Brocklehurst
as Writer
Mick Ford
as Writer
Charlotte Coben
as Writer
Karla Crome
as Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
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The script is woeful and the acting is attrotious. The whole production feels like a weird episode of Doctors or Holyoaks. God knows how people can rate this 10/10
Why oh why are Armitage and Rea that desperate for money to do this garbage, the rest of the woeful cast are teatime fodder actors so you can understand but those two, beggars belief. This isn't solely about bad acting but so much more. So what do I mean, well the story itself may be fine, however everything that is meant to take the viewer to the end is just appalling. All of it is wrong, young footballers who play a game but are in cleaner freshly washed kit after the game, cakes in a bakers where there are full shelves upon closing time. An old terraced street ready for demolision has no rubbish, weeds or rubble anywhere to be seen. A germophobe savant who won't shake hands put immediately takes money upon being offered from the same hand they refused to touch previously. Two members of the police are a male who is thick and childish (seriously a t-shirt hanging on a tree is "really creepy") whilst the woman is sarcastic and bolshie (mocks the parents of injured child in a hospital scene). The main 'school children' protagonists are all in their twenties, (what was the casting director thinking), why they dress like kids from Las Vegas on a field trip to Chicago is just odd. The dialogue is beyond normal, one minute robotic posh to the male policeman then talking teenage slang. Three coppers talking about a so called ROBBERY that's a ROBBERY to which thicket cop says "Who brings a gun to a cake shop?" hmmmm, let's have a think, possibly someone wanting to ROB said shop. FFS. I could go on and godbless you've read this far, but lawks oh lordy. If you're between 14-80 age range and like being spoonfed, never leave the house nor question anthing then you'll enjoy. If not, watch in amazement that there are people in this world who actually exist thinking that the real world is like this.
I didn't love it but it was catchy. But the ending was so bad. Were they in a rush or something? Or did they run out of ideas? It could have been a really good story. I had high expectations because the media said it was the new "You". I was really disappointed. They just threw everything together at the end.
A really intriguing idea, pretty poorly executed. It's not sure what it wants to be: quirky comedy or tense thriller. So much potential to build tension and keep you guessing, but too many silly, clumsy interludes, with bumbling coppers and silly school kids, the tension is frequently broken by the bizarre and the ridiculous. I want to keep watching to see what develops, but it's trying it's best to make me walk away; it's very hard to take it even slightly seriously. Some good acting mixed in with some soap opera, not a good mix. A crying shame and missed opportunity...
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Comedy stories are designed to entertain through humor. Popular formats include situational comedy, sketch-style humor, workplace comedy, and romantic comedy.
Action titles emphasize excitement, physical conflict, heroic characters, and fast-paced storytelling. Adventure titles often feature exploration, survival, or epic journeys.
Crime dramas follow investigators, detectives, lawyers, or journalists as they solve criminal cases. Mystery stories encourage audiences to uncover clues alongside the characters.
Science fiction explores futuristic technology, space travel, artificial intelligence, alternate realities, and scientific speculation.
Horror storytelling creates suspense through psychological tension, supernatural events, monsters, or survival scenarios.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.
Animation includes works for children, families, and adults, ranging from educational content to complex dramatic storytelling.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.