Susi Ganesan
as Director
The thriller film Thiruttu Payale 2, starring Bobby Simha, Amala Paul, Prasanna, etc., directed by Susi Ganesan, was released on November 30, 2017 in India. It tells the story of A police inspector investigates a guy who traps innocent women on Facebook. This is a Thriller film with a runtime of 147 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.6/10 from 980 viewers.
Susi Ganesan
as Director
Bobby Simha
as Selvam
Amala Paul
as Agalya Selvam
Prasanna
as Balakrishnan (Balki)
Susi Ganesan
as Detective Ganesh
Soundararaja
as Maari
Pradeep K Vijayan
as Sait Jashwant
Shyam Prasad
as H TV employee
Ferdous Nir
as Raja
Prabhakaran Ramu
as Pizza delivery boy
Susi Ganesan
as Writer
Availability may vary by country, language, and release window. Some titles are included with platform subscriptions, while others may require rental, purchase, or app-based access. Streaming catalogs and licensing agreements are updated regularly, so playback options can change over time. For the most accurate viewing experience, check the latest listing on your selected service and confirm regional support, subtitle options, and device compatibility before starting.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
Download the latest MovieBox packages for mobile, FM builds, and TV-compatible APK versions. Choose the package that matches your device and region, then follow the official install guide for best compatibility and security.
Good movie!
Good movie!
Good movie!
I haven't had a good relationship when it comes to Susi Ganeshan's movies. His debut flick, Five Star was an interesting yet somber look into college romances. His second film, Virumbugiraen was somewhat of a typical small-town love story which while entertaining, didn't offer much and refused to delve deeper. His third film, Thiruttu Payale was an impressive tale that however lacked finesse. His superhero film, Kandhasamy is one of the worst films that I've ever seen, and I've seen Movie 43. Thiruttu Payale 2 is more of a spiritual sequel and uses a compelling storyline and a good-enough screenplay. The film is already a smart one. It makes you question yourself and others around you. Questions like "do we all have several faces?" or "are we trash-talking our near and dear behind their backs?" or even "how does Prasanna continue to be neglected as a good actor?" Thiruttu Payale 2 has a number of characters, all willing to forego morals to dig deeper into the lives of others. Bobby Simha and Prasanna steal the show but you somehow feel that there could have been more pretext when it comes to shaping these characters. Songs in a thriller like this hamper the film's pace. Amala Paul's character and her performance - both needed some more work. This is a good film. But, in its attempt to be better, Susi Ganeshan brings in incoherence all packaged in flashbacks that feel rushed. Watch the film if you get a chance. You may or may not like it, but you won't be bored.
Review By Kamal K Thiruttu Payale 2 had the scope to be at least an engaging thriller with a cat and mouse theme. But the overwritten plot and the lack of sensibility in certain crucial twists in the tale makes it a disappointing film.
When villain looks like a hero and hero looks like a villain.......hero has a double chin๐๐๐
Acting, plot of story, and sequence will keep you engaged throughout the movie. You will never get bored just for a moment. A superb movie with a good lesson of digital and social media security....
This movie is dedicated to all new generation people which cause social media effects,d directed by susi ganeshan.Bobby Simha acting amazing and Villain role is awesome.Such a nice movie with deep impacts and meanings.Nice movie....
One time watchable also the cast could be better if the screenplay was done with some popular actors.
A very promising story line with contemporary subjects, high tech etc..eventually falling too short in Storytelling, scream play, character development. Climax scenes are far too average and it was like watching TV Serial. A complete opposite of Vikram-Veda. Music and Songs nothing to add to the story. Prasanna seems to be playing negative characters but must insist stronger roles. Just showing abs and 6 packs alone cannot make the movie good. Hi-Tech Sci-Fi movies might touch audience in Western countries, whereas in India with so much loopholes, it will be very difficult to make it interesting
A detailed breakdown of recent pricing changes, why users are reconsidering their watch setup, and how to evaluate an alternative workflow without losing your discovery habits.
Learn the right flow to install Movie Box APK: version basics first, then clean installation steps, and finally how to choose among TV, iOS, Web, and app usage paths.
A long-form review covering why Project Hail Mary stands out in 2026: adaptation quality, scientific storytelling, emotional depth, and audience reactions.
Comedy stories are designed to entertain through humor. Popular formats include situational comedy, sketch-style humor, workplace comedy, and romantic comedy.
Action titles emphasize excitement, physical conflict, heroic characters, and fast-paced storytelling. Adventure titles often feature exploration, survival, or epic journeys.
Crime dramas follow investigators, detectives, lawyers, or journalists as they solve criminal cases. Mystery stories encourage audiences to uncover clues alongside the characters.
Science fiction explores futuristic technology, space travel, artificial intelligence, alternate realities, and scientific speculation.
Horror storytelling creates suspense through psychological tension, supernatural events, monsters, or survival scenarios.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.
Animation includes works for children, families, and adults, ranging from educational content to complex dramatic storytelling.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.