Amy Schumer
as Amy
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The comedy film Trainwreck, starring Amy Schumer, Bill Hader, Brie Larson, etc., directed by an unlisted director, was released on July 17, 2015 in the United States. It tells the story of A commitment-phobic career woman who has always thought that monogamy was impossible must face her fears when she meets a good guy. This is a Comedy, Drama, Romance film with a runtime of 125 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.2/10 from 146,706 viewers.
Amy Schumer
as Amy
Bill Hader
as Aaron
Brie Larson
as Kim
Colin Quinn
as Gordon
Devin Fabry
as Nine Year Old Amy
Carla Oudin
as Five Year Old Kim
Josh Segarra
as Staten Island Oli
Ryan Farrell
as One-Night Stand Guy
Robert E. Torres
as One-Night Stand Guy
Jim Florentine
as One-Night Stand Guy
Robert Kelly
as One-Night Stand Guy
Dan Soder
as Dumpster Guy
John Cena
as Steven
Dave Attell
as Noam
Vanessa Bayer
as Nikki
Tilda Swinton
as Dianna
Randall Park
as Bryson
Jon Glaser
as Schultz
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
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Good movie!
ghehhee
Unlike some comedies out there, this one is actually funny. I didn't really know Amy Schumer too well as a comedian - her roles have mainly been with television but let me be the first to say that Amy Schumer, acting as a chronically commitment-challenged career woman, is some serious comedic gold. Throw in some dirty jokes, a solid script (written by Schumer herself) and SNL veteran Bill Hader, and you've got a good movie for a Friday night. What made this movie enjoyable was the script and great comedic acting. Amy wrote herself a good character. She showcases her comedic chops and also subtly subverts the stereotypical Hollywood romantic comedy women leads (instead of pining for Mr. Right, Schumer's Amy Townsend has sworn off the happily-married-with-two- kids phase for a...different source of romance). The script, even while developing the budding connection between the two leads, still maintains gravity by exploring how each person's problems has affected their relationship. By this, I mean that there are no silly love rivals or dramatic altar scenes with sad music in the background, but rather a more realistic look into Amy's entrenched commitment-phobia and Aaron's relative naiveté with deep relationships. Schumer cuts out the clichéd dialogue and relies on well-placed scenes and double entendres, to good effect. And of course, with the main lead (Bill Hader) playing a sports doctor, there were quite a few brilliant cameos from big-name athletes like LeBron James and Amar'e Stoudemire (LeBron in particular plays a penny-pinching, egotistical version of himself to perfection). You may be concerned about the running time (over two hours), but the twists and narrative detours that Schumer writes are, in my opinion, justified. They don't necessarily further the plot, but they contribute to the world that the characters inhabit by fleshing out side characters. In particular, Tilda Swinton, playing the unrecognizably bronzed Anna-Wintour-like editor of Snuff magazine who bosses around Amy and her colleagues (Randall Park from "Fresh Off The Boat" and Vanessa Bayer from SNL), was another hilarious addition to the movie. While it's not a deeply emotional movie (and it shouldn't be), it will resonate for anyone who's ever went through troubled times in a relationship. The script is cheeky and the acting was cheekier. Watch the movie. It's good.
I'm one of those people that hates everything and complains constantly. I have nothing negative to say about this movie. I loved it so much I really can't even properly express how great it is. I have never laughed so hard at a movie. It wasn't over the top or silly. It was realistic, relate-able, and, at times, touching. Definitely not a "chick flick" just because the lead is female. The men in the audience seemed to be having a great time. True, this film won't be for everyone, but it will be everything for those it is for. Amy Schumer's writing is on point. The real shock to me was Lebron James. I am not a sports person and didn't really know who he was. And I hate when athletes appear in movies or T.V. because they have no acting capabilities and its annoying, but Lebron James was totally committed and hysterical.
I am completely honest and not exaggerating, this must be the worst film I've ever seen! It is a romantic comedy made of randomly patched clichés and some very cheap humor. There's no plot cohesion, and whatever happens in the movie lacks a development, it's there to be just a filler. The protagonist is a cynical woman who happens to be a very one- dimensional character too. I guess that's all about it. I was sure the movie must have been universally panned. And then I was stunned to realize the film holds a score of 6.8 in IMDb and 85% in Rotten Tomatoes. I didn't know anything about Amy Schumer so I Googled her and I understand now she is a successful stand-up comedian in USA. Could this be the reason why people liked the film? Or am I a hater?
Short review, but makes my points. I love edgy humor, and what I have seen from Amy schumer is just that. But this movie is a poor and way too long delivery vehicle for her most overused and least original material about sex, orgasms, etc. Much better to skip this film and just catch her cable shows or standup. Why did apatow make this? It lowered my opinion of his body of work. The movie's unnecessary vulgarity made me cringe. I am no prude, but cringe is the right word. I ultimately walked out, partly out of boredom, partly distaste for the film. There are a few funny moments, but way too few, and way not worth it. Wish I had seen Antman, which was the other option this night.
When you team up Judd Apatow, one of the best comedy directors working today, with Amy Schumer, one of the best comedians working today, you've struck gold. TRAINWRECK subverts the rom-com genre because of its unlikely protagonist, Amy, a woman who doesn't look perfect and is totally likable because of that. At the same time, the film's biggest flaw is how much it adheres to the rom-com formula, but it doesn't detract from the quality overall. TRAINWRECK essentially is a showcase of the many talents Schumer has to offer. It's a vehicle for her to tell the world, hey look, here's someone that you should be paying attention to. Additionally, it happens to be semi-autobiographical, and while often hilarious, it's also honest and heartfelt. In one surprisingly moving monologue, she gets to show a vulnerable side of herself, which you never get to see on her show. In addition to Schumer, everyone else is pretty much perfect. Bill Hader, playing the love interest, is reliable as always. Brie Larson is also very good as Schumer's sister, reminding everyone the world's greatest mystery: why isn't she in more films?! However, John Cena surprises with a supporting role filled with hysterical one liners. On top of that, he has great comedic timing! Lastly, Tilda Swinton is flat out great and unrecognizable and even LeBron James manages to be quite funny. Sure, there are some scenes that fall flat, one of which involves Matthew Broderick and some sport announcers(?), making you question why the scene wasn't cut in the first place. Despite those minor bumps, TRAINWRECK is a hit. It's a hit for Apatow, and it's a hit for Schumer. Overall, TRAINWRECK is easily the best comedy of the year so far and solidifies Amy Schumer as a talent to watch.
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Comedy stories are designed to entertain through humor. Popular formats include situational comedy, sketch-style humor, workplace comedy, and romantic comedy.
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Horror storytelling creates suspense through psychological tension, supernatural events, monsters, or survival scenarios.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.
Animation includes works for children, families, and adults, ranging from educational content to complex dramatic storytelling.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.