Taranveer Singh
as Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The comedy film Tuesdays and Fridays, starring Shivam Bhaargava, Jhataleka, Mukesh Kapani, etc., directed by Taranveer Singh, was released on February 19, 2021 in India. It tells the story of To avoid the burden of commitment, a young lawyer and a writer agree to be romantic partners only two days a week. That won't get complicated - right. This is a Comedy, Musical, Romance film with a runtime of 106 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.5/10 from 938 viewers.
Taranveer Singh
as Director
Shivam Bhaargava
as Achal Deoda
Jhataleka
as Sia Malhotra
Mukesh Kapani
as Old Uncle
Sunita Khushlani
as Old Aunty
Esha Ahuja
as Girl Staring at Achal
Neha Kakkar
as Neha Kakkar
Nayan Shukla
as Pats (Payal Tripathi)
Aashim Gulati
as Jatin Singh
Megha Tandon
as Jatin's Crazy Fan
Neeraj Khetrapal
as Sia's Boss
Natasha Goradia
as Intern (Sia's Office)
Sasha Sen
as Receptionist (Sia's Office)
Vijay Tilani
as Rishi Vardan
Anmol Dhillon
as Varun Sarin
Divya Jyoti Sharma
as Pammi (Panju Aunty 1)
Madhu Sachdeva
as Shaloo (Panju Aunty 2)
Niki Walia
as Dr. Radhika Malhotra
Parvin Dabas
as Nishant Thukral
Taranveer Singh
as Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
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in English
Good movie!
Good movie!
Good movie!
Good movie!
source: Tuesdays and Fridays
There are some movies which you regret watching There are some movies which makes you wonder why this was made in first place. There are some movies which makes you simply puke> Guess what, this movie has surely the above three ingredients. What horribly made, forced acting, unsure direction, horrible songs, stupid story line movie this was. Senseless and directionless from the word go, there was no connection of scenes, forced acting, unnecessary kissing, torturing songs, horrific choreography and i hope i am not missing anything. First thing, why would i British born writer would engaged an Indian law firm for his book, which will be issued and published in UK / Europe? If the entire movie was UK based, there was not point of starting it from India. Moving on, actor Anomol Dhillon son of Poonam Dhillon, period. Learn to act and when at least copying some old Indian hit movie or delivering some line, try to watch the original. Jhataleka Malhotra, dance skills, zero, timings zero, looks in the movie zero, overall zero. In short there is no connection of one scene with the other. Some scenes are literally enforced in the movie and all in all a complete waste of time.
I personally liked the movie. Actors were new commers and they deserve appreciation. It's a very pleasant movie and for the hero and heroine of the movie...I have to say that you have done great .
The film suffers from that classic Dharma hangover which has been the undoer for many in this genre, with Kal Ho Na Ho flashes all over, random songs, weddings, incoherence, unnecessary tracks and absolutely zero London feels. To be fair - somewhere in there may have been a fresh idea that got caught in the crosshairs of a lot of mindlessness. As a Hollywood writer once said - in a rom-com focus on the leads as 2 hours is too short a time, here they were focussing on the whole village. The production value is so dismally subpar I can't believe this is a Bhansali Productions product. The leads deserved a better written and executed film and well-etched characters. Having said that - it is much better than a lot of trite stuff dished out by Netflix India. And it has no unnecessary cuss words or explicit scenes. That was refreshing.
The movie is shot beautifully, costumes are great so is the set. What lacks is the story it's truly senseless. Too much unrealistic incidences, like for instance one moment its Mumbai and other is London. Too much bushtit portrayal of the beauty of open relationships. The girl tries to win the guy over and fails but the hero falls in love and come to india to propose. Wage.
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Comedy stories are designed to entertain through humor. Popular formats include situational comedy, sketch-style humor, workplace comedy, and romantic comedy.
Action titles emphasize excitement, physical conflict, heroic characters, and fast-paced storytelling. Adventure titles often feature exploration, survival, or epic journeys.
Crime dramas follow investigators, detectives, lawyers, or journalists as they solve criminal cases. Mystery stories encourage audiences to uncover clues alongside the characters.
Science fiction explores futuristic technology, space travel, artificial intelligence, alternate realities, and scientific speculation.
Horror storytelling creates suspense through psychological tension, supernatural events, monsters, or survival scenarios.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.
Animation includes works for children, families, and adults, ranging from educational content to complex dramatic storytelling.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.