Oliver Refson
as Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The TV series Uncle S1-S2, created by Oliver Refson and produced by an unlisted studio, first premiered on December 14, 2012 in the United Kingdom. The series spans 2 seasons with 22 episodes, featuring the voices of Nick Helm, Elliot Speller-Gillott, Daisy Haggard, and Daniel Lawrence Taylor. It follows the story of An amateur musician of stunted emotional growth is reluctant to take care of his young nephew, but as his reluctance grows, his other emotions begin to follow to the fore, meaning he may even become a better, more-rounded person. This is a Comedy series and has received a rating of 7.8/10 from 4,606 viewers.
Oliver Refson
as Director
Nick Helm
as Andy
Elliot Speller-Gillott
as Errol
Daisy Haggard
as Sam
Daniel Lawrence Taylor
as Bruce
Jorja Rutherford
as Tiffany
Sydney White
as Gwen
Con O'Neill
as Val
Con O'Neill
as Gwen's Dad
Nicholas Burns
as Ben
Esther Smith
as Melodie
Brett Goldstein
as Casper
Nina Toussaint-White
as Shelly
Gemma Whelan
as Veronica
Nick Mohammed
as Roopesh
Nick Mohammed
as Carpet Bros Manager
Raquel Cassidy
as Teresa
Dylan Moran
as Marsh
Martin Trenaman
as George
Lauran Taylor-Griffin
as Ruby
Lewis Reeves
as Ryan
Oliver Refson
as Writer
Lilah Vandenburgh
as Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
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While watching the pilot I couldn't stop thinking about how much it was reminding me of something else - right from the first scene to the last one, simply the whole thing. The story is just so similar to a short movie called Curfew (maybe watch that instead, if you're gonna watch this show), plot and details are almost the same (even the name-giving: Andrew because of his uncle, Sophia because of her uncle's flip-book), but Curfew is in my opinion so much better. In Uncle the only thing that was "missing" was the last scene with another suicidal attempt. But anyway... I'm curious how the show is going to evolve in next episodes and what the story will be like.
This is a super new comedy. Funny, but with great pathos too. Not a situation comedy; more a character comedy. I hadn't heard of Nick Helm before this programme. He's well worth watching. Yes, "Uncle" has similarities to other current comedies about 'loser blokes over forty with no life' (e.g. "Man Down" with Greg Davies) - and the viewer feels for the 'loser' lead character in this programme, just as with the lead in "Man Down" - but, still, it stands its own ground. It's sadder, calmer, & less frenetic than "Man Down", with the characters more believable. "Uncle" touches on reality far more: hence the evoked sympathy with the lead character. Nick Helm gives a depth to the character of 'Andy' the uncle, that other comedians might avoid, or indeed not be capable of eliciting from the character. We see elements of 'Andy' that are likable, as well as the predictable moments when we cringe away from him. From the very first episode there are moments of darkness to his portrayal - tinged of course with just enough of the required humour. Helm builds a solid character in 'Andy', who never veers too much towards, or away from, the 'loser' aspect of the uncle. It would have been all too easy to have become a caricature. The other characters are also nicely played as 3-dimensional & fully human: with the flaws of the average human being, but also the plus-points and all the spectrum/grey areas in between. Con O'Neill is hilarious as the father of 'Andy's' main love interest. His owner of a rock bar with a gay clientèle, and a cross-dressing bewigged owner at that, is so on point. He manages to convey the hilarity of such a character whilst also making us believe his ominous threats to protect his daughter from Nick's repeated advances. Daisy Haggard is also excellent as Andy's sister: a very 'real' portrayal as a committed but isolated single mum. 'Andy's' young nephew - played by Elliot Speller-Gillott - is a budding talent. He plays a nice balance of a little bit geeky & a little bit cute; again a blend that mirrors a genuine 12 year old. In fact, the programme served to remind me that we were all that gawky, difficult age once! Not many comedies bring in that amount of scope. There hasn't been much good new comedy on TV for years, IMHO, so 'Uncle' is happily welcomed. (Too much rubbish "reality TV" is broadcast these days, & the broadcast schedule is sadly getting even more overloaded with these gross & dross programmes. But I digress . . . !) All in all, this is a programme well worth watching. Plus there is the appeal of the quirky musical elements: mock videos - in the style of pop/rock bands - that are performed by 'Andy' and alternating members of the rest of the cast. They are cleverly put together, and - a delightfully surprising bonus! - are a truly musical interlude. A particularly fetching aspect of each episode. The music in the 'videos' being original just adds to this appeal. Not to mention Nick Helm's pleasant voice! An original touch to a comedy programme. In the 'drama' part that is inherent to this comedy, the viewer gets to see the reasons why 'Andy' is not so successful in life, but also we see his kindness - towards his sister, and his growing fondness for his nephew. He is truly a diamond in the rough. Plus the way he shines when he sees the teacher of his nephew, the full-bodied personality of 'Andy' - that otherwise seems to lurk in the shadows - can finally be seen. 'Melodie' already likes him, but can he see what light she is already bringing out in him?! A truly appealing & witty man is there somewhere . . . But 'Andy' does not seem to see how he naturally comes alive around her. The sparks are clearly there. The question is, will 'Andy' also eventually sense this?! I have only seen as far as episode 4 . . . so roll on the next episode; maybe we'll find out if 'Andy' ever realises with whom he truly becomes alive! ~ by SceneByScene (UK) ~
Good movie!
Good movie!
Good movie!
Good movie!
Good movie!
Good movie!
Good movie!
Good movie!
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Comedy stories are designed to entertain through humor. Popular formats include situational comedy, sketch-style humor, workplace comedy, and romantic comedy.
Action titles emphasize excitement, physical conflict, heroic characters, and fast-paced storytelling. Adventure titles often feature exploration, survival, or epic journeys.
Crime dramas follow investigators, detectives, lawyers, or journalists as they solve criminal cases. Mystery stories encourage audiences to uncover clues alongside the characters.
Science fiction explores futuristic technology, space travel, artificial intelligence, alternate realities, and scientific speculation.
Horror storytelling creates suspense through psychological tension, supernatural events, monsters, or survival scenarios.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.
Animation includes works for children, families, and adults, ranging from educational content to complex dramatic storytelling.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.