Matěj Chlupáček
as Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The drama film We Have Never Been Modern, starring Eliska Krenková, Miloslav König, Milan Ondrík, etc., directed by Matěj Chlupáček, was released on January 31, 2025 in Czech Rep.. It tells the story of Helena is about to give birth and face a rosy future in a modern city as the wife of a successful young factory manager. This is a Drama, Mystery film with a runtime of 117 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.0/10 from 710 viewers.
Matěj Chlupáček
as Director
Eliska Krenková
as Helena Hauptová
Miloslav König
as Alois Haupt
Milan Ondrík
as Róbert
Lubos Veselý
as doktor Kubák
Richard Langdon
as Sasa
Marian Mitas
as Major
Anton Sulík
as advokát Schulz
Ladislav Hampl
as Továrník
Martin Salacha
as vedoucí Grena
Viktor Zavadil
as Bázik
Martin Sinicák
as Vanek
Iveta Dusková
as Advokátová
Martha Issová
as Stavbyvedoucího
Andrea Bucko
as Exportérová
Zuzana Konecná
as Vychovatelka
Zuzana Kubícková
as Technologová
Viktoria Petrasova
as Inzenýrová
David Hartl
as Inzenýr
Miro Sifra
as Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
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Good movie!
It's a shame this wasn't the Czech Republic's official Oscar submission. I found it an intriguing film and couldn't get enough of it. Part medical mystery, part political thriller, this film features a very strong female lead, and is much better and more involved than the storyline suggests. The pregnant wife of a rising factory director enjoys her status in a small rural town ripe for modernization. However, the discovery of a dead intersex newborn amongst the factory's expansion puts things on hold days before the factory owner's celebrated arrival. State Army police is called in to investigate, but they have their own agenda. With her medical background, the wife begins her own investigation, with unforeseen consequences. All the while, the threat of the Third Reich is in the air. Talking with the director in the lobby after the film, I found out it didn't have US distribution yet. I loved it so much, I wished I had the money to distribute it myself. Here's hoping it lands somewhere I can see (or buy) it again and share it.
I watched this due to the high ratings it has been given on imdb and it was well worth it. The beginning managed to kept me glued to the screen right until the end expecting that this movie would be full of gunshots and explosions. Yet, it gave me the truest drama through a well written dialog that reminds me of that Asghar Farhadi and Hirokazu Kore-eda like tension. There's no shouting between characters, yet I could feel the tension building up till the final moment where everything starts again. Shout out to the lead actress for conveying her emotions perfectly even without any words spoken. I really hope I could see her in many more movies to come. A well written masterpiece indeed.
When I watched this film it has no reviews on IMDB so it was a bit of a journey into the unknown. The first hour is full of story (much more than the published storyline tells us) although I still didn't feel fully engaged. I guess because my knowledge of Czechoslovakia in 1937 is an empty space. The second hour is quite excellent. When it ended I went straight back and watched the start again, because it ends where it starts, and you'll know so much more about that opening scene when you've seen the whole film. Absolutely recommended. I would also like to comend the makers for not coming here and spamming the reviews with ten stars, like so many independants do.
Good movie!
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Comedy stories are designed to entertain through humor. Popular formats include situational comedy, sketch-style humor, workplace comedy, and romantic comedy.
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Science fiction explores futuristic technology, space travel, artificial intelligence, alternate realities, and scientific speculation.
Horror storytelling creates suspense through psychological tension, supernatural events, monsters, or survival scenarios.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.
Animation includes works for children, families, and adults, ranging from educational content to complex dramatic storytelling.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.