Josiah Allen
as Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The drama film You'll Never Find Me, starring Brendan Rock, Jordan Cowan, Elena Carapetis, etc., directed by Josiah Allen, was released on March 22, 2024 in Australia. It tells the story of Patrick, a strange and lonely resident, lives in a mobile home at the back of an isolated trailer park. During a violent storm, a mysterious young woman appears at his door seeking shelter from the elements. This is a Drama, Horror, Thriller film with a runtime of 100 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.8/10 from 9,094 viewers.
Josiah Allen
as Director
Indianna Bell
as Director
Brendan Rock
as Patrick
Jordan Cowan
as The Visitor
Elena Carapetis
as Smoking Woman
Angela Korng
as Dead Woman
Allina Truong
as Woman
Aurelie Sowerbutts
as Woman
Ayleen Castro
as Woman
Cheyenne Joy
as Woman
Chloe Robinson
as Woman
Jasminder Kang
as Woman
Jasmine Garcia
as Woman
Kelly Woodhall
as Woman
Kristy Johnson
as Woman
Finn Watson
as Caravan Park Kid
Luca Trimboli
as Caravan Park Kid
Indianna Bell
as Writer
Availability may vary by country, language, and release window. Some titles are included with platform subscriptions, while others may require rental, purchase, or app-based access. Streaming catalogs and licensing agreements are updated regularly, so playback options can change over time. For the most accurate viewing experience, check the latest listing on your selected service and confirm regional support, subtitle options, and device compatibility before starting.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
Download the latest MovieBox packages for mobile, FM builds, and TV-compatible APK versions. Choose the package that matches your device and region, then follow the official install guide for best compatibility and security.
Good movie!
Good movie!
Good movie!
source: You'll Never Find Me
I feel sorry for those who can't develop critical thinking and understand the meaning behind what's shown to them. This movie is meant for those who can catch simple details AND PAY ATTENTION to the dialog. Everything you'll need to know is there, between the lines: the reason why Patrick thinks the woman's face is familliar, the reason why the woman "changes" her story (where she came from, why she initially says she wants a lift...). The movie got me hooked till the very ending, when it all made sense. For me it's a solid 7, they made the best they could with what they had, and succeeded....
I never leave reviews. I think this is my first review in 15 years. But I am so offended by this pretentious piece of garbage, I have to (briefly) vent my frustration, anger, annoyance, boredom, etc. I gave one star each for the sound design and for the acting. I feel really bad for the lead actor because boy, did he deliver. He's like that student in a group project who ends up doing all the work while everyone else just slacks. Not that the girl was bad, but she could have delivered more. Talk about a movie that asks too much of its audience. Seriously, do the filmmakers realize that we, the audience, are gifting them our valuable time to watch their movie? No. We are INVESTING our time, so it's not a big ask to have them deliver something worth our while. I usually really enjoy slow-burn films. But if you're going to make an avant garde slow-burn, PLEASE keep us interested. WE WANT TO BE INTERESTED. But no, in this case they bored us to tears. And those of us who doggedly stuck with it until the bitter end received no reward. And that's what angered me. Do yourself a favor and skip, unless you have a hard time falling asleep at bedtime.
This film is absolute nonsense that is so pleased with itself . It try's very hard to be suspenseful and edge of your seat but the dialogue is ridiculously contrived and stupid. An overly dark caravan setting adds absolutely ZERO to the attempt at being atmospheric and suspenseful, al, it does is annoy the viewer as nothing can be properly seen. If your whole movie contains only two people you'd better be sure that the story is good enough to hold the audience. Good movies do not have to try too hard to hold their audience and the story will keep the viewers interested. This movie just made myself as the audience wonder why the hell am I bothering with this pretentious self absorbed crap. The reality is I just wondered why am I wasting my time with this pointless nonsense. Save yourself feeling cheated and avoid this .
Massive Spoilers!!! This is an excellent character driven psychological horror. The two main performances are terrific and the story makes you second guess what is happening, what might happen, and who is tormenting who with the card game being a particularly brilliant piece of film making. Here is my take. The less than positive reviews I have read criticise is of the final third and how some people think this is weak, but to me it isn't. Very little of this film is actually happening. The only thing in this film that is happening is the first minute (before the knock) and the last couple of minutes (from the knock with the taunting kids). The rest of the film is purely in Patrick's head as he is committing suicide because as the film title tells us, "You'll never find me". Patrick is a serial killer who has tried his best to keep away from people in order to stop killing but as he says the dead woman in his trailer came to him. No matter what he does someone always ends up falling in his lap, so to speak. The visitor doesn't exist as she is a combination of all of his victims which is why her story and jewellery constantly changes throughout the film. Why items move around, why blood appears and disappears. The chaos of the final third is Patrick's suicide note to us. My wife and I loved this film. Very smart and a well made use of a single location and a minute cast. It was like watching a brilliant play and I commend the cast and crew.
First off let me just say that the hype reviews on this film that are already on IMDb are truly unwarranted. This was mental health popcorn at best. A man struggling with his demons and his serial kills inside of a trailer is now being overwhelmed by his inner thoughts, and the film is meh at best. The last 20 minutes are absolutely ridiculous. I mean really it just fell apart and it just made no sense at all. This was a one-time watch and nothing more. Not horror, not a thriller but mental anguish on full display. Do I recommend? Not really but if you have nothing else better do, have at it. Don't go by the amped reviews because you will be thoroughly disappointed.
Idk where all these amazing reviews are coming from. Everyone trying to be all art housey and deep. The movie was so wack. First off 3/4 of the movie was this man NONSTOP babbling all emo with stupid metaphors and weird stuff trying to slow burn you, then it seems like a super simple criminal minds episode....then the last quarter made NO sense it was like a fever dream with a lot of lights and sounds and confusion. Very bad it's a no for me, dawg. Apparently I have to keep writing until there's 600 letters so; bad, lame, wack, overdone, stupid movie. However dudes acting is good so that's one plus.
A detailed breakdown of recent pricing changes, why users are reconsidering their watch setup, and how to evaluate an alternative workflow without losing your discovery habits.
Learn the right flow to install Movie Box APK: version basics first, then clean installation steps, and finally how to choose among TV, iOS, Web, and app usage paths.
A long-form review covering why Project Hail Mary stands out in 2026: adaptation quality, scientific storytelling, emotional depth, and audience reactions.
Comedy stories are designed to entertain through humor. Popular formats include situational comedy, sketch-style humor, workplace comedy, and romantic comedy.
Action titles emphasize excitement, physical conflict, heroic characters, and fast-paced storytelling. Adventure titles often feature exploration, survival, or epic journeys.
Crime dramas follow investigators, detectives, lawyers, or journalists as they solve criminal cases. Mystery stories encourage audiences to uncover clues alongside the characters.
Science fiction explores futuristic technology, space travel, artificial intelligence, alternate realities, and scientific speculation.
Horror storytelling creates suspense through psychological tension, supernatural events, monsters, or survival scenarios.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.
Animation includes works for children, families, and adults, ranging from educational content to complex dramatic storytelling.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.