Paco Cabezas
as Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The action film Mr. Right, starring Anna Kendrick, Sam Rockwell, Tim Roth, etc., directed by Paco Cabezas, was released on April 8, 2016 in the United States. It tells the story of A girl falls for the "perfect" guy, who happens to have a very fatal flaw: he's a hitman on the run from the crime cartels who employ him. This is an Action, Comedy, Crime film with a runtime of 95 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.3/10 from 65,168 viewers.
Paco Cabezas
as Director
Anna Kendrick
as Martha McKay
Sam Rockwell
as Francis
Tim Roth
as Hopper
Tim Roth
as Reynolds
James Ransone
as Von Cartigan
Anson Mount
as Richard Cartigan
Michael Eklund
as Johnny Moon
RZA
as Shotgun Steve
Katie Nehra
as Sophie
Jaiden Kaine
as Bruce
Douglas M. Griffin
as Gus Patrick
Luis Da Silva Jr.
as Espinoza
Elena Sanchez
as Dison
Garrett Kruithof
as Gage
Christopher Matthew Cook
as Garrety
Ross Gallo
as Jeff
Wendy McColm
as Julia
Jimmy Gonzales
as Park Thug
Kelly Connolly
as Hottie
Max Landis
as Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
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This is just comedy, I'd fancy this type of relationship 😅
Good movie!
Good movie!
💯❤️
source: Mr. Right
Quirky killers are character studies. Sam Rockwell's performance as Mr. Right makes the best in this situation playing well off Anna Kendricks neuroses. Finding out that her boyfriend would like to have a three way with the girl he tried to sneak into their place at the last minute, priceless, but no cigar. Mr. Right is the hit-man with a heart of copper. He kills bad guys who want to take out contract kills on others. He's good at his job. He meets Anna at a bar and they hit it off immediately. Mayhem ensues and the body count begins. Mixed in all of this is the relationship of the two which is believable. The bad guys are cardboard cutouts but pliable enough for a killer comedy. Overall, it works in the big climax where Anna's character comes out even more so but you have to suspend belief that her chicken legs has enough power to do a round off kick and push a guy back when she kicks him in the chest.
An actually hilarious comedy that never panders to its imagined audience as so many American comedies do and is just a straight up clever funny classic romantic Hollywood movie. With a cast that actually successfully redefines that hackneyed paradigm. Natural comic Anna Kendrick plays a seemingly mentally fragile leading lady. Sam Rockwell as our indestructible hero continues to deliver the most interesting performances on film these days. Tim Roth as the usual Brit baddie but with a mean streak and many hued shall we say accent. Tim just keeps on giving. Where are the Oscars? Half way through you will be asking for a sequel or syndication which would surely destroy the concept. I'm going to watch it again.
My problem with most comedies is that they do not make me laugh. Most of them are stupid, unoriginal and shallow, simply bad movies. But even the good ones rarely cause the wanted effect. I'm watching and I'm aware that what I'm watching is funny, but I'm not laughing. This is one of the few that made me really laugh, often, loudly and even to tears on a few occasions. 9/10
For Pitch Perfect's fans who think the infinitely cute Anna Kendrick could do no wrong, well, there's a first time for everything. Here's a film that feels like a Monday morning at work: a film with the right stars who are fully game for the lunacy promised by its strange and risky "look-at-me-I'm-so-smart" script, but is betrayed by poor, tone-deaf direction. I will admit, I am not particularly fond of the romantic comedy genre, although there have been occasional stand- outs. This one is woeful because the script tries its darndest to make the bizarre material work, which involves clueless young lady Martha (Kendrick) falling head- over-heels with charming 'nice' guy (Sam Rockwell, Moon) who is actually a deranged assassin offing his contractors. Kendrick and Rockwell are very likable here, showing great chemistry between snapping some truly funny puns and dodging bullets. But oh, how the filmmakers have let them down. A half-witty, half-annoying and fully self-aware script by Max Landis (Chronicle and son of Blues Brothers' John Landis) would make for a decent watch if handled by a director who understood the transition of tones - Kick-Ass' and Kingsman's Matthew Vaughn comes into mind. Not so for misguided director Paco Cabezas (the poor Nicolas Cage thriller Rage), who shifts from breezy rom-com satire to brutally violent action thriller with jarring violence worthy of a Jason Statham vehicle. It is about as awkward and subtle as a brick to the face and it threw me off the film completely. 2010's Wild Target did this similar material better.
No man. No. I really like Sam Rockwell too much to see him in such kind of movies. It was ridiculous. I mean, not even a five, let alone above six! The movie did not even have one moment of decency. Lousy humor, awful lines, nothing. This Anna Kendrick was absolutely lame. I mean, she should be playing other roles, some B role or something, in a teen movie. No offense but I see nothing special really. She has nothing to show for. This was also really below Tim Roth as well. I really appreciate him as an actor and although he did his best, this movie was just plain and simple stupid. To cut to the chase, the story is so not worth it and out of reality. I mean this script must have been written in the long hours that some constipated fellow spent in the toilet trying to get something out. And he/she did. The script for this movie! All the elements of the movie borderline so close to funny-stupid- unrealistic that it's hard to watch even for a minute without thinking that this is too much. Pointless. That's the word for it.
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Comedy stories are designed to entertain through humor. Popular formats include situational comedy, sketch-style humor, workplace comedy, and romantic comedy.
Action titles emphasize excitement, physical conflict, heroic characters, and fast-paced storytelling. Adventure titles often feature exploration, survival, or epic journeys.
Crime dramas follow investigators, detectives, lawyers, or journalists as they solve criminal cases. Mystery stories encourage audiences to uncover clues alongside the characters.
Science fiction explores futuristic technology, space travel, artificial intelligence, alternate realities, and scientific speculation.
Horror storytelling creates suspense through psychological tension, supernatural events, monsters, or survival scenarios.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.
Animation includes works for children, families, and adults, ranging from educational content to complex dramatic storytelling.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.